#He is going to limit so many queer rights

[aroaceinneedofspace]

How Project 2025 and the re-election of Donald Trump in the USA could negatively affect LGBTQIA+ rights

The above article explains my point a lot better than I ever could, but I am begging all of you on this site, particularly those of you who are living in the USA or have the right to vote there, to please consider the above. I don't normally share my political beliefs, but Trump has already stated that he wants to reverse a lot of the rights that the LGBTQIA+ community currently has in the US, which are largely delineated in Project 25. Within this law and some of his policies, Trump has made it clear that he would ban gender-affirming care for minors and he also intends to limit queer discrimination protections in the workplace. Moreover, the project would reinstate a transgender military ban and it would rescind health care protection for trans people, thus urging the Congress to define gender as male and female, which would solely be fixed at birth. Overall, his policies would stop any and all acknowledgement and acceptance of gender identity and of members of the LGBTQIA+ community in general. Please feel free to not take this at face value and to instead do your own research; the best way to combat Trump and the lack of democracy that he is encouraging is to conduct research and to fight misinformation. Sorry to reiterate this, but I beg all of you to please bear Project 25 in mind when voting in the 2024 presidential election, for those of you that live in the United States.

[nondivisable]

I need to say something and I need y'all to be calm

if it isn't actively bad or harmful, no representation should be called "too simple" or "too surface level"

I have a whole argument for this about the barbie movie but today I wanna talk about a show called "the babysitters club" on Netflix

(obligatory disclaimer that I watched only two episodes of this show so if it's super problematic I'm sorry) (yes. I know it's based on a book, this is about the show)

this is a silly 8+ show that my 9 year old sister is watching and it manages to tackle so many complex topics in such an easy way. basic premise is these 13 year old girls have a babysitting agency.

in one episode, a girl babysits this transfem kid. the approach is super simple, with the kid saying stuff like "oh no, those are my old boy clothes, these are my girl clothes". they have to go to the doctor and everyone is calling the kid by her dead name and using he/him and this 13 year old snaps at like a group of doctors and they all listen to her. it's pure fantasy and any person versed in trans theory would point out a bunch of mistakes.

but after watching this episode, my little sister started switching to my name instead of my dead name and intercalating he/him pronouns when talking about me.

one of the 13 years old is a diabetic and sometimes her whole personality is taken over by that. but she has this episode where she pushes herself to her limit and passes out and talks about being in a coma for a while because of not recognizing the limits of her disability.

and this allowed my 9 year old sister to understand me better when I say "I really want to play with you but right now my body physically can't do that" (I'm disabled). she has even asked me why I'm pushing myself, why I'm not using my crutches when I complain about pain.

my mom is 50 years old and watching this show with my sister. she said the episode about the diabetic girl helped her understand me and my disability better. she grew up disabled as well, but she was taught to shut up and power through.

yes, silly simple representation can annoy you if you've read thousands of pages about queer liberation or disability radical thought, but sometimes things are not for you.

[scientia-rex]

I feel like disappointment in Biden is baffling to me because he was always a disappointment. He was the asshole who got to ride to power on the coattails of a better man. He told bizarre and repeated lies (despite getting caught at it and his team telling him not to) about having a Welsh coal miner dad when he did not and he stole that story from actual Welsh people. I read a profile of him years back that pointed this out and told the story of the time he straight up ignored good advice from an expert not to plant a certain kind of tree too close together and flew a bunch of them out to plant, at night because he was just too fucking excited about it, and they all died. He’s not a smart man! He’s charismatic ish and lacks principles and as far as I can tell doesn’t really care about abortion rights or a lot of things we’d consider pretty critical to preserving freedom. I sincerely thought he couldn’t become President because there were so many obviously better candidates in the pool. I underestimated the sexism and antisemitism in American politics, and when he became the candidate in 2020 I gritted my teeth and voted for him because the alternative was a man who is not only an idiot but also profoundly dangerous. Trump is not ha-ha crazy, he’s Mussolini crazy. He is not dangerous because he’s stupid, although that doesn’t help; he’s dangerous because he does not care about anyone except himself under any circumstances and if that means he lets the far right push us straight into forced birth for white women and sterilization for women of color he’s going to do that. If that means conversion therapy for queers and death penalty for homosexual acts he’s going to do that. He has literally no limits. If he gets back into power, a whole lot of people are going to die, again. It’s not a hypothetical because it happened the first time and he’s only going to get worse.

I am not, never have been, and never will be a fan of Biden. To pretend that he and Trump are in any way equivalent is wrong at best and another goddamn Russian psy-op at worst. To pretend that a third party candidacy is viable in the US is to completely ignore every election of your lifetime and your parents’ lifetimes, and to further ignore the lesson of Ross Perot.

You cannot save Palestinians by not voting for Biden in November; the best you can do is chip away at his margin, and the worst you can do is see Trump elected so he can decide to do the worst possible thing in ever circumstance. Biden has Palestinian blood on his hands and watching this when we could have had Bernie or Elizabeth Warren instead is maddening. (I would have preferred Hillary to Trump, but I don’t think she’d be any different than Biden here. They’re both old-school politicians.)

I hate everything about this, and I hate that saying “maybe don’t put the man who literally said he would kill his political enemies in power” is seen as supporting genocide. It’s acknowledging reality. Joe Biden as a person can eat rocks for all I care. I was kind of hoping he’d die sooner in his term so we’d have time to get used to and then vote for President Harris. (Remember when the line was “she’s a cop, don’t vote for her”? Funny how there’s always a reason not to vote for a woman or a person of color or someone you just “don’t like” and can’t put a finger on why except she “seems angry.” Oh does she. How would she not? When Michelle fucking Obama, the picture of grace , STILL got called angry for having the nerve to be a Black woman with an opinion? When Hillary Clinton lost to a man with no political experience to her decades and who openly discussed sexually assaulting women? Would you have voted for President Harris? Or would you let Trump win again because you don’t LIKE her personally and she’s made decisions and statements you disagree with?)

Biden has both less power than his critics give him credit for and more power than his fans give him credit for. He needs to do more to pressure Israel and although it’s a delicate diplomatic situation I’d rather see us fuck up our diplomatic relationship with Israel than watch more Palestinians get murdered for things like “wanting to eat” and “existing.” The line has been crossed, and he doesn’t see it. Because he wasn’t the best person for the job. Because they didn’t get elected, because of sexism/antisemitism/racism. Hell, I have no idea what bootlicker Pete Buttegieg would have done here, but I’d have given him a try. But no. We got Biden and we’re stuck with this reality where you can be as leftist as you want and still have to look at the situation and decide whether you’re comfortable contributing to a Trump victory through inaction. I want socialism—I want every single person on Earth to have clean drinking water, enough safe food, shelter, medical care, and education—and I’m going to vote for Biden, pissy as it makes me, because the only actual alternative is so, so much worse, for me personally as both a woman and a queer, and for everyone in America and the rest of the world who Trump would find reasons to hurt. What do you think the man who openly and repeatedly praises dictators is going to do when those dictators massacre their own people? Yes, we need to care about this genocide now. We also need to care about all of the other people who are at real risk, both at home and abroad. Would a Trump government agree to fund military intervention in Haiti without insisting on it being a colonial exercise in power? Would a Trump government roll back the restrictions on discriminating against transgender patients in healthcare? How would Trump respond if Orban started dragging people into the streets and shooting them en masse? How would Trump respond if China finally went for it and invaded Taiwan? There are more lives at stake here than mine or yours or even those of the Palestinians, who have deserved better for literally decades and are being mass killed in ways that should result in immediate sanctions, a war crimes trial, and the execution of Netanyahu.

The world deserves better from you than complicity in a Trump victory.

[madlori]

Ok my fam, I think we all need a lil Come to Jesus moment. So let's talk about it.

"I'm disappointed Tommy wasn't in 8x02 and 8x03." That's ok! We'd all like to see him, and see our boys together. Going by precedent, we can probably expect to see him in 6-8 episodes this season (it could be more - Taylor had 13 episodes in season 5 - but we shouldn't count on it) and we've already burned one. I'd prefer not to have half of them during the opening disaster when SO MUCH ELSE is going on. I'd rather him appear in episodes when he's got a storyline with Buck, or even on his own, and especially at the midseason break or the end of the season when Relationship Events are more likely to happen.

"But the 217 engine!" I know. But as we sometimes like to say to other fans - we kind of baited ourselves with that. It was suggestive, sure. But the fact that production has MADE a 217 engine is also suggestive that we may see it again later, and they just put it in the hangar scene because they already had it and they had to fill up that hangar with as many vehicles as possible.

"An airplane disaster without using the pilot??" As others have pointed out, Tommy's not a jet pilot. And don't let anybody make you think you were nuts for thinking it was possible. It was definitely a reasonable theory, with supporting evidence, that he might be involved, but in the end, the big opening disaster is always going to be about our mains. As it should be. And honestly? It was great.

"But the whole point of bringing him back was to integrate him with the 118 more!" I'm sure that's still a goal they have, but it's probably easier said than done. Not just from a writing standpoint, but a contractual one, in that there's a limit to how often they can use him, so they have to pick and choose where.

"It's like they don't care about this relationship as much as we do." You're right. NOBODY will care about it as much as we do. They care about the main characters, about the show's actual premise (i.e. first responders encountering wild situations, secondarily the characters' personal lives). There is no universe in which ANY relationship in the show will be prioritized as much as we, the fandom, would like it to be. That's just life in the big city. But they do care, oh boy, they do. Enough to use BT scenes in off-season promo. Enough to write Tommy into a scene in the opening episode where, frankly, he didn't NEED to be. Also, consider this - to shoot that scene, Lou was probably on set a grand total of one day, MAYBE two. And they made sure to include him in the jokey "bee pickup lines" reel. You know what other relationship we haven't seen much? Buddie. They have not appeared together outside of work (and honestly, barely AT work either) except in the birthday party scene, and hey, did you notice that they do not interact at ALL in that scene? Buck spends that entire scene interacting only with Tommy. And that's a friendship featuring two mains that we know they value. That's not indicative of anything except the sheer scarcity of screentime.

"They should be promoting the queer relationship!" Should they? They've never really done that before, with the several pre-existing queer relationships. I have always sort of appreciated that they have not hung a neon sign on Buck and Tommy saying LOOK AT OUR NEW QUEER PAIRING. It's never gotten the Very Special Episode treatment - Buck never had gay panic, or much coming-out drama - and I like that. I like treating it no differently than other romantic pairings on the show. And they did actually promote it quite a bit when it happened. Now it would just feel kinda performative to me.

"Will he be in [whatever episode]?" Imma gently suggest we not do this every week. He'll be there or he won't. There'll be some we know he's in (I think 8x06 is a lock), some we won't know and will be pleasantly surprised, or unpleasantly surprised. I'd say odds for 8x04 are...20%, rising to at least 50% with 8x05 and 100% for 8x06.

And if you ever feel sad about it - go look at a still of Buck from any episode so far this season, and say to yourself, "This man is having heaps of amazing sex with his hot pilot boyfriend on the regular. Canonically."

I know a lot of us have encountered some pretty irritating gloating from people who hate this relationship (in a frankly weirdly obsessive way) about him being not there. Just remember - that's all they have to gloat about. The only "victory" they can claim is the absence of a character? Lame. And it's not even a victory, it's just the cost of doing business when your ship involves a recurring character. Sit back and enjoy your canon relationship between two men who've actually kissed on screen and ignore it. We can be generous about it.

So let's not talk ourselves off the deep end, shall we? I'd like to keep being a reasonable fandom.

[forpiratereasons]

all right. i'm ready to talk about izzy.

izzy is a great character. in s1 he sits in this great position as an antagonist that's close to the main characters, and in s2 he sits in this great position as an antagonist who's gotten everything he wanted, and found that actually - fuck! - that's not it at all. the world changes enough in s1 that there's no satisfaction in izzy getting what he wants out of blackbeard. and it's not just ed that's changed, it's not just the crew, izzy himself is fundamentally changed too. even before s2, and that change continues to grow and flourish through the series.

in reality, death is cruel. and death is senseless. and death is unfair, and shitty, and it happens to the wrong people at the wrong time, too early, with too much to live for, who mean too much to too many. it happens.

maybe izzy's death is all of those things, but i don't think that's the point. it's not meant as a lesson in mortality; it's not meant as retribution for past crimes; it's not meant as a commentary on who deserves to live and who deserves to die. it's not about deserving. if anything, it's about the fact that deserving doesn't come into it at all.

the point is that izzy healed.

a lot has been made of the fact that izzy is the only character who bears visible scars from the kraken era - the scar on his head, as well as the leg. but i don't think they're meant as a reminder of the injury, or as a sign that izzy is "damaged" post-kraken era. they're representative of the fact that izzy healed. the scar is there to remind you that izzy survived. you see it heal over multiple episodes because that's the work izzy is doing - he's healing from blackbeard's actions, from his own actions, from his history, from his constraints.

it's not too late to heal. it's not too late to find your place. it's not too late to come out. it's not too late to let people in. it's not too late.

and all those things are worth doing despite the fact that our time here is limited. we are all going to die. but we are here right now, which means it's not too late, and it is worth it to free ourselves to be who we need to be regardless of who we have been and who we are now and what time we might have left.

izzy isn't suicidal in ep 8. he's healed from that. izzy isn't abused or depressed or alone in ep 8. izzy is strong, and competent, and respected, and loved.

and some folks have been disappointed it's not romantic love. i get that. but i think it's super important too that izzy's healing is worth it without romantic love. familial, platonic love is so fundamentally important to the queer community. found family. friends. solidarity. the look when some stranger sees you and you see them and you both know the other is family, that they're safe. the way we fight for each other - for our rights to love who we want, fuck who we want, to marry, to adopt kids, and also for housing, for jobs, for healthcare. for our rights to use the bathroom, for our rights to choose our own names and our own bodies and our own families. we're fighting for our right to exist and that, guys, it's not romantic. the foundations of our community is about - well, i'll let izzy say it:

it's not about glory, it's not about getting what you want. it's about belonging to something when the world has told you you're nothing. it's about finding the family to kill for when yours are long dead. it's about letting go of ego for something larger. the crew.

ed and izzy, following s2e3, interact and communicate on izzy's terms, and that's made clear. that's the last relationship for izzy to heal. when izzy finally approaches ed in ep 6, it's - not great. it's a start. you gotta start somewhere. he lets ed apologize, in their very closed, guilty way of speaking to each other, but then goes back to the crew, back to his safety.

he finally finishes his healing arc with the drag performance and la vie en rose, and then he and ed DO have good moments. he teases ed about stede. he directly reverses his previous actions in s1 and tells ed to listen to his good feelings. that's where djenks is getting this (imo, still a bit weird) father-figure business. the scene in the republic where ed's watching fishermen and izzy comes to say hey, it's all right, hey, listen to your gut. they don't need to directly come out and have some deep serious conversation about their relationship because that's just not like them, man. they're doing their healing their way. i think it would be nonsensical to expect these two to be open and honest with each other regardless of how they are with everyone else because their relationship is not like their relationships with anyone else.

until they run out of time.

and this, i think, is important. izzy controls this last conversation because it's what ed needs to hear, because izzy no longer needs to hear it. izzy doesn't need to hear that ed's sorry, izzy knows ed's fucking sorry. ed's whole arc this season is about the guilt he's carrying. izzy says what he says because he knows ed needs to hear it. ed, you weren't a monster all on your own. ed, i saw you. i saw you outgrowing him, and i didn't want that to happen because i was worried about what it meant for me, but i see now that it could have meant this all along - family. balance. something to die for, sure, but something to live for.

you could argue that ed and the crew don't think of each other as family. i think it's a bit more complicated than a yes or no on that one, but when izzy says, ed, you're surrounded by family, maybe it doesn't matter whether that's fact. maybe it's a statement of possibility. look at this family who can love you if you let them. look at this family who will forgive you even when you don't deserve it. look at all the ways you can still heal. look at how worth it it all is.

just be ed, izzy says, there he is.

he says it to ed because izzy already knows he can be just izzy. izzy already knows he's dying surrounded by family. izzy already knows that love and belonging and family are worth it, and he uses his dying moments to make sure ed knows it too because despite everything, despite everything he did and despite everything ed did and despite not being ed's romantic choice, he loves ed. it's worth it to use his dying moment to make sure ed knows this because izzy loves him.

it's worth it.

izzy is the stand-in for the stereotypical pirate, the villain - the representative of how repression and oppression work together, of how race and class and colonization interact with each other, of the lines between love and obsession and power and rage and fear blurring beyond recognition - and he heals. guys, the point of his story is not that he was all those things and paid that price. the point of his story is that he could grow beyond all those things and that growth and healing was all worth it despite the fact that yeah. our lives will inevitably end.

historically, israel hands is said to be one of the only major pirates who survives the golden age of piracy, and he doesn't survive it well - according to the contemporary account of "captain charles johnson" (almost certainly a pseudonym) in A General History of the Robberies and Murders of the most notorious Pyrates, published 1724, hands dies a beggar in london sometime between 1719 and 1724. it has been suggested by some pirate scholars that hands may have actually been the source for much of the information johnson is able to relay regarding blackbeard - and that johnson's apparent wealth of information contributed significantly to the legacy blackbeard left behind and his lasting fame. i had actually really hoped to see this play out in ofmd - izzy protecting ed and stede through perpetuating stories about blackbeard's 'death' (fake, i'd hoped) and legacy.

but i think - he is. in his way. he's there on the hillside, keeping watch. he's there to hold all the stories and all the memories of pirates and what it meant to belong to something, even as the golden age of piracy sets. he's there to show what it is to love and to be loved in return: eternal.

i don't like that izzy died. i think he's a great character, i think he's great fun to have in the ensemble, i think his dynamics with ed and stede are so fucking chewy and delicious. i think con o'neill has done the work of a lifetime on this character and, i hope, had and continue to has the experience of a lifetime with this fandom. my heart goes out to those of you who are devastated; i've been there in past fandoms, i know how achingly difficult that is. i'm so sorry.

but izzy's story is worth telling. izzy's story is worth celebrating. izzy is about making mistakes - bad mistakes! - and finding your way back to something better. izzy is about healing, and about community, and about hope that even when things are shit and people are shit - they can change. things can change.

and maybe - yeah. it's about the role stories play in our lives. about using fictional little scenarios to deal with our traumas. we're here. we're alive. we're coping. we will heal.

not moving on is worse.

[paraphwrites]

a brief note about charles rowland, bisexuality, & the art of queer interpretation

for most of modern history, queer people have been cast to the shadows. be they jailed at the time for sodomy, or erased from history after the fact by historians downplaying their relationships, history has been notoriously cruel to queer people. this is especially true in media, which often completely ignored the existence of queer people.

from this lack of representation, the 'queer interpretation' was born. this is when a consumer notices subtext in a piece of media and extrapolates that one or more character(s) is queer. this is especially prominent to try and undo historical revisionism, and what authors may not have been able to publish at the time, but were able to imply.

a well-known example is "a picture of dorian gray," an egregiously homosexual novel, written by an egregiously homosexual man. despite dorian not being explicitly gay.....he is. this is widely accepted among modern interpretations, because wilde utilizes queer-coding and allusions to ancient greece to create subtext that the character is homosexual in nature.

however, not everyone is a fan of the queer interpretation. many people cite it as inserting gayness where it does not belong. this, though an understandable argument, both erases the history of queer people and the ways that authors intentionally queer-coded their characters, and misses the point of art all together. art is open for interpretation, whether it be the symbolism of the curtain color, or the character's sexuality.

but the queer interpretation is especially important because it gives voices to those expressly forbidden to share queer thoughts when they were alive. beyond giving a voice to the author, it also reflects the feelings of the person interpreting the text (as all interpretations do). the degree to which one utilizes the queer interpretation illustrates the degree to which one feels the need to do so. for example, someone who is searching for queer rep is more likely to read charles rowland as gay, whereas someone who isn't fond of headcanons is more likely to accept him as straight

now, is charles rowland bisexual? yes. and also no.

charles rowland does exhibit many characteristics which, when you are familiar with queer-coding, may make him seem like a glaringly bisexual man. he wears earrings, he dresses alternatively, he smirks, he is an absolute twink. but, straight men can smirk too, and wear earrings, and dress punk rock. that does not actually mean anything. BUT it DOES. when utilizing the queer interpretations, one analyzes fashion and diction and other pieces of subtext to draw a conclusion. the implied subtext is queerness. so, charles rowland is bisexual, then, right?

limiting bisexuality to stating your attraction to both men & woman is harmful. it reinforces that heterosexuality is the norm, and implies that, if you do not directly state that you are bisexual, then you are straight.

but, there is merit to the 'charles is straight' argument. it isn't homophobic to not use the queer interoperation.

dbda is a show that is clearly not ashamed of highlighting queer characters. so it stands to reason that if charles is queer, it would have been brought up. (of course, if there had been a season two, maybe we would have seen him discuss his sexuality, but i will work with the source material i have.) so, it stands to reason that charles is straight. afterall, despite faint subtext that charles is straight, the show does not go out of its way to queercode him. so, charles is straight

WRONG AGAIN. charles rowland is neither gay nor straight, he is a plot device in this mini essay.

the heart of the queer interpretation is seeing a character and looking beyond what is written. oftentimes, it involves two characters (eg, edwin & charles). in the instances when there are two, the queer interpretation asks that you look at the most important relationship in the story, rather than what may seem to be the love story.

you may ship catwin, or crystalXcharles, or whatever. and that is totally valid. BUT, the show could still exist without the cat king x edwin. and the show could still totally exist without crystal x charles. but the show immediately falls apart without the relationship between charles & edwin. whether romantic or not, their relationship is the heart of the story. it is a story about THOSE TWO and everyone else is add on. i am not saying no one else is important, but i am saying the heart & foundation of the story is derived from edwin & charles.

queer interpretors ask that you look at the most important relationship in a text, rather than the most explicitly romantic one. and, often, queer interpretors then project romantic feelings onto the two characters that the story could not survive without.

crystal & charles cannot end up together because crystal will never be the most important person in the world to charles. the cat king & edwin can never end up together because the cat king will never be the most important person in the world to edwin. ergo, edwin and charles will inevitably end up together, because they are the most important people to each other.

at least, that's what queer theory might argue about it.

another just as valid argument is that charles rowland is a bisexual, and not in love with edwin. and a third valid argument is that charles rowland isn't bisexual and isn't in love with edwin.

because we don't KNOW. this is interpretation. so i can look at charles rowland and say 'he's a bisexual and he loves edwin.' and you can look at charles and say 'he is straight.' and someone else can say 'he is aromantic' and someone else that he's pansexual and someone else that he needs way more therapy before he can even begin contemplating his sexuality. and they are all VALID.

anyway but i think it's important to understand the why behind why so many people think charles' is bi, and why it matters! i'm not saying charles has to be bisexual, but i'm saying the bisexual interpretation does matter.

[tookthe-405]

Hard to sleep

bsf!ellie x bsf!reader

Masc!ellie x fem!reader

summary: Modern au where you and Ellie are best friends and in college together. About the queer situationship so many of us had with our best friend :,)

It’s angsty but still fluffy I swear 😪

(Happy End)

c.w: smut!!, weed, mention of alcohol and drugs and long af and I think that’s it but speak up if i missed something!!!

authors note: this is my first fic so please be nice to me, but still give critic so I can write better next time 🫶

⋆｡ ﾟ☁︎｡ ⋆｡ ﾟ☾ ﾟ｡ ⋆ ⋆｡ ﾟ☁︎｡ ⋆｡ ﾟ☾ ﾟ｡ ⋆ ⋆｡ ﾟ☁︎｡ ⋆｡ ﾟ☾ ﾟ｡ ⋆

“Wakey wakey sunshine it’s time to get upp”

You sigh annoyed thinking you’re still asleep and dreaming some shit, because of course Ellie follows you into your dreams.

“Dude get the fuck up” this time her voice doesn’t sound so subdued and you jump out of your sleep.

“Holy fuck”

You Look at Ellie whose casually going through your dorm room, packing your bag for you.

“You really need to stop oversleeping the classes that are the most important to you and going to the ones no one cares about”

You sigh still tired and feeling your heart beating way too fast and loud.

“You really need to stop showing up here when I’m unconscious, you always scare the shit out of me”

“I literally called you sunshine, how does that scare you?”

You giggle a bit and sit up straight, stretching yourself before standing up completely.

Ellie gives you your packed bag and you take it, still in pjs.

“You do know by the time I’m done, the lecture will be almost over” you mention to her as you open the braid form last night.

“Who said I’m waiting for you huh?”

“Um I do?”

You Look at her grinning, she sits at your desks while watching you do your hair with her green eyes following almost every move.

You Look Away quickly and go to the bathroom to brush your teeth.

Sometimes it feels like there’s a time limit when you two look at each other, like you have to watch out that it’s not too long and not too short. Most of the time Ellie doesn’t care and just keeps staring, but for you it’s important to not cross the friendship line. No one looks at their best friends for too long, no one worries about looking at their best friend too long.

You just don’t want to fuck this up.

“You should wear a skirt today”

“Huh?”

Ellie appears in the door.

“It’s hot today you should wear something short” she says again

“This your way of making me wear skirts for you?”

Ellie chuckles in her casual husky voice.

“Yeah that’s exactly what I’m doing”

“That was so fucking boring, you could’ve let me missed this one too Ellie” you whine

Ellie groans as the both of you walk to one of the cafe’s on campus, meeting your roommate Audrey and some of Ellies friends as well.

“I’m like 90% sure he said important stuff in the beginning and we just missed it because of you”

“Yeah yeah whatever I’m sorry ellie, I’ll try fixing my sleep schedule okay?”

“I’ll ask Audrey too take away your laptop and phone maybe you’ll have a chance then”

You bump your shoulder into hers and she giggles.

It doesn’t take much too make you feel nostalgic when you spend time with Ellie. Only warm air, sunshine and her laugh.

That’s all you’ll ever need and that all you’ll never have forever.

“I’m gonna meet up with Iris later”

Her tone sounds natural, no hesitation and you are sure she doesn’t know what her words do to you.

And the worst part is you can’t even be mad at her, you have no right to be.

You look down at your shoes that go in the same tact with Ellie’s, over and over again.

“Really? Was she the one with the braids?”

Ellie nods and you try to make some eye contact. You don’t want her to feel bad, even tho you’re sure she has no idea how you actually feel, and you always try to be happy for her. But maybe you want her to get it. Maybe you want her to see how you look at her, maybe then she’ll finally understands.

But she just keeps walking and looking forward.

“There wasn’t a frat party in so long you have to come!”

Audrey is basically begging, she even pulls your arm.

“Everyone is talking about it in my class, since it’s the last one before everyone is going home so they wanna party big” Jesse explains with a big smirk on his face.

Ellie and you look at each other from across the table, sipping your ice coffees.

You give her a uncertain look, you know she’ll go if you go and you’ll go if she does.

“Who’s gonna be there?” She asks and your eyes land on Dina, who normally knows every human alive.

“Everyone I hope but I’m sure a few won’t go so why don’t you just tell me her name Ellie?” Dina says, a teasing look on her face and your heart feels heavy again.

“Iris. I sit with her in biology”

“Aw cute you sit with her?” Audrey says mocking her friendly, but she gives you a empathetic look. She’s the only one who knows about your feelings, since she was the one who was with you when you got a bit too drunk and told her about all the feeling you ever had.

Ellie looks at you for just a second, but thank god you didn’t miss it, and your cheeks turn red. You keep drinking your drink.

“Yes I know her she’s sweet but I don’t know if she’ll be there”

Ellie immediately grabs her phone and types something in it.

Jesse goes ordering something and Dina talks with Audrey about the party and what to wear.

Your feet kicks Ellie’s softly, so she looks up at you.

“Just ask her if you could met there, I’m sure she doesn’t mind” you say trying to sound as supportive as possible.

Ellie looks unsure and you grab her arm soft, feeling the fabric of her flannel jacket she’s so obsessed with.

“She likes you Ellie, god how couldn’t she and she should be happy about spending some time with you and you’re friends. I know it would make you feel more relaxed too, knowing you’re not alone” you try to whisper it but Audrey and Dina are loud talker anyway.

You smile at her and take your hand back. Ellie looks at you and her cheeks turn a slightly pink shade. She was never good with sentimental talk, too bad you’re so good at it.

“You don’t have to meet her yet you know” she says finally.

“What do you mean? Why shouldn’t I?”

“I don’t know… I wasn’t sure if you wanted too”

“I’m your best friend why would you think that Ellie?”

“I don’t know I just… never mind it’s stupid”

She starts looking at her phone again but you keep staring at her confused, angry and even a bit sad. You’re pretty positive that you weren’t obvious at all for the past years, so what did you do to fuck up so bad?

“Okay she’ll be there”

“Yeah?” Jesse asks, sitting down again with a sandwich in his hand.

“Yup she says she heard about it too and wanted to ask me if I would like to go”

“Damn that’s some soulmate shit” he says chuckling and you look out the window for something distracting

“It’s gonna be fine, if it’s too much for you we can leave” Audrey tries to comfort you.

“I’m gonna be okay Audrey don’t worry, i think I can do this” you know you actually can’t do this.

“I think this is all just in your head, the whole “Being scared of losing her” thing” she mentions quiet.

It’s not just that your scared of losing her, your scared of wanting her so much that you can’t control it anymore and then losing her.

“Just go ahead with the others, I think I’ll take a bit longer… I’m just gonna take an Uber” you keep digging through your closet searching for anything you would like to wear.

“You sure?” Audrey voice sounds unsure.

“Yes it’s a short drive I’ll be fine”

“Fine but if you change your mind then I’m more than fine with just watching a movie with you Here”

“I won’t I promise we’re gonna have fun tonight” you smile at her as she walks out the door saying goodbyes and waving quickly.

Right after she left you could hear your own thoughts way too clear and it felt like your mind was ready to destroy the whole evening.

You stare at your wardrobe searching for something, but this unsettling feeling is eating you from the inside and you lay down on the bed again, putting your face in your hands.

The tears just rush down your cheeks and your body lets them. You imagine the time where Ellie has a girlfriend wife, a woman that is more important than you and the person she wants to do all the things you want to do with her. You’ll have to be at their wedding and at their house to eat fucking dinner once a year.

You would do a lot for Ellie to want you as this person, but you tell yourself that you’re not gonna cry here because that won’t change anything.

You take your phone from the night stand next to you and open the camera, seeing mascara all over your cheeks.

“Fuck” you whisper annoyed

You try to whip them away, then you get a text from Ellie.

I’m gonna pick you up in an hour okay

What about iris? Shouldn’t you pick her up?

I wanna pick up you tho, she’ll be fine we said we would meet at the party

You don’t have to do that Ellie

I get it really

I want to pick you up. Is that okay with you miss?

I can hear you say this in my head

Shut up and get ready dork

You smile and the smile tastes like hope and assurance and love.

In the end you decided to wear a shirt mint green dress that has a V cut with a little cute white bow in the middle. Since how to walk in heels is a fucking mystery, you wear your Mary janes shores in dark red.

You put your hair up and put on a brown leather jacket from Isla.

There’s a knock on the door as you try to save your make up a bit.

You take one last look in the mirror and decide that your fine with how you look. With your bag around your shoulder you open the door and meet Ellie’s eyes immediately.

You smile excited and do a little spin.

“is this okay?” You ask her

“Pretty. You look very pretty”

You take a Look at Ellie’s outfit.

Baggy jeans with a white t shirt and her blue jeans jacket and converse. You could see her black sports bra though her white tee and looked away quickly, feeling your face heat up and your mind swift away to other places.

“You do too, even your hair is open for once. Looks very good” you say and take a step forward, so you could let your fingers go through her hair. She puts her hands on your arms and closed her eyes for a bit. You fixed a few hair strings and looked at her. You often saw her this close up but you’ll always thank the universe for another chance of seeing her like this. The freckles over her cheeks and her nose, hell even her forehead.

She is so beautiful and so sweet, sure she tries to hide it most of the time but in these moments you’re both just two girls holding each others most vulnerable versions.

A moment later you find yourself hugging her tight.

Your arms are around her neck and you take a deep breath in. She hugs you back, her arms around your waist.

“I love you a lot and I hope that doesn’t change ever.”

You whisper in her ear

“I love you too…”

You eventually let go of her and try to show her that you’re still happy and excited for tonight, even though you really just want to hug and kiss her the whole night and not watch her do this with some other girl.

“Let’s go I’m sure the others are already there”

“Frat boys are some weird people but fuck their party’s are good”

Ellie’s voice makes you look right as you guys get out her car and fuck she’s right. There are people everywhere. Outside the frat house, inside and you’re sure some people are gonna end up on the roof at some point too.

“I’m gonna drink so fucking much before I need to go back home” you say, real excitement in your veins this time.

Ellie giggles and the both of you try to get through the drunk people on the front porch.

It’s louder inside the house, where a tone of lights shine around in the room, everyone is dancing and you could smell alcohol in the air.

Your eyes scan everything around you, but then you hear Ellie curse.

“What wrong?” You get a bit closer to her again.

She looks a bit pissed but you couldn’t find anything else in her expression.

“Iris is gonna be here in an hour”

“Thats a bit late” is all that comes to your mind.

“No shit, she thought we would meet up at that time but still it’s just….” She looks at your biting her under lip

You take a step back and look at her really mad now.

“What is it that bad to spent some time with me here Ellie? We don’t have too you know you wanted to pick me up, you wanted to go tonight what the fuck?” You hear your own voice getting louder with every word.

You were trying. Trying to be supportive and not jealous. Trying not to think about her, about all the things you dream about. But this just feels like some fucked up joke.

“No! Fuck- you know that not what I mean…”

Ellie’s hands reach out for you but you step back again.

��Don’t fucking Touch me.”

And for once in a while Ellie was the one, who felt the sharp pain of rejection. Her hands slowly drop and her eyes never looked so green. Her eyes look around the room for a second, but after she realises that you’re not gonna change your mind she puts her hands inside her jacket and walked more inside the house.

You don’t feel the tears this time. They just appear in your eyes as you watch Ellie walk away.

You Turn left and walk up the stairs, trying to not let anybody see you cry.

You Wander around for a bit feeling like a ghost, not even sure how to think a single thought right.

After a while you find yourself in, you think the bedroom, of one the frat boys. A group of people sit on the floor, talking and smoking a joint.

Even tho you don’t really like smoking, you thought about it for a second and it didn’t sound so bad Anymore.

You stood there awkwardly, staring at them not sure what to do, but then you heard a voice behind you.

“You want one?” A tall girl with long blond hair asks.

“Excuse me?” You feel your pulse go up in embarrassed.

“A joint? I have one if you wanna smoke a bit?”

You look at her with your mouth a bit open.

Then you gave the group a last look, their laughing looking like they don’t care about a thing in the world.

“Yes… yeah sure why not”

The girl smiles and you follow her to another room, a bathroom which was surprisingly quiet. As soon as she closes the door, the noises sounds muffled.

You Open a window and lean on to the wall.

“You a student too? Or a friend of a friend?” You ask her, hating the awkward silences.

The girls steps beside you and pulls out a joint and a lighter.

“Student sadly, I would be fine with being the cousin of one of the football players” she chuckles slightly and light up the joint pretty smooth.

“So Whats Your name?” She asks you and hands you the joint.

You Take a Hit trying not to cough, but of course you fail.

You mumble your name, as you try to take a normal breath again.

“First time?” A smirk on her a face, but at least she’s not laughing.

“No but I don’t smoke often”

“Hm”

“Sorry what’s your name?”

She takes another hit and it looks way to easy when she does it which bring you wanting to do it better the next time and even better the next one.

“Abby”

“Nickname?”

“Yeah for Abigail”

“Hm cute name” you mention and take your … maybe 4th hit? You should stop counting now.

“Thank you… so what do you study?

“Psychology” I murmur

Her eye brown go up in surprise and you giggle a bit at the face she makes.

“Clinical?” She asks and it surprises gib that she knows about the difference.

“No, general”

“Oh you’re a smart girl then huh?”

You laugh loud and laughing and since you’re in a bathroom the laugh comes back way louder.

“Not really most of the time I miss the classes that I I really wanna watch” you say and your mind goes wandering off to ellie again but you try to focus on Abby in front of you.

“What do you study? Tell me what are you here for Abigail?” You say to her and she makes a face again.

“God only my dad calls me Abigail it’s kinda funny coming from an almost stranger”

And that’s so sweet that you can’t help but smile at her but then your eyes meet…. And god hers are so red that you pray silently that yours do not have the same colour.

“Pre-med”

“And you call me smart girl Abby” you say with big eyes.

“You might become a fucking doctor”

She giggled embarrassed and you could tell that the weed was working.

“I Hope so” she says looking a bit sad even and your first thought was that she might think she couldn’t do it.

You put your arm on her shoulder and your mouth falls open.

Fuck this woman has some muscles.

You squeeze her arm for a second and then realise that she’s staring at you with a confused grin.

“Sorry i Know we Don’t know each other, but I can just like you know feel that you’re intelligent and interesting and hard working and - I mean bro look at your arms I’m not even sure if that’s possible” you say laughing again.

Your laugh doesn’t stop for a few seconds, but as soon as it dies you worried that you might have over stepped the line.

You Look at her Face and she just smiles really nice and not mad or hurt just pure sweetness.

She’s really nice and your sure you guys could be friends and now you’re kinda scared that you gave off the wrong idea.

“What the fuck?”

Your heads turn to the door where a very disturbed ellie is standing.

“Ellie hey… no wait I’m mad at you”

“You’re mad at me? I’ve been looking in the whole damn house and I find you smoking weed from a stranger the fuck do you mean?”

You’ve seen Ellie being angry a lot. She was mad, because of a comic con where she didn’t get to but a signed version of her fav comic. Or when she cursed out some old dude who was driving too slow.

But never this mad.

“We’re going”

Your mind is still spinning then suddenly Ellie grabs your arm and wanting to pull you out the door but Abby steps between you both.

“Sorry but you can’t just do that”

“You don’t know shit”

Abby was definitely taller and stronger than Ellie, but Ellie’s temper was probably even bigger.

“I know she doesn’t want to go with you”

Abby snaps and Ellie’s grip gets stronger around your waist and she goes past Abby through the door.

You give Abby an apologetic look, Ellie only slows down when you are at her car.

“Get in” she hisses

You get in and you swore to yourself that this whole situation will end tonight.

“Ellie-“

“Don’t just please don’t talk right now please”

She sounded exhausted. Hurt as well like she hasn’t slept in days. Her head rests on the steering wheel for a few seconds, her back goes up and down from her strong breathing and you just shut up with tears in your eyes.

The ride was quiet, not even the radio was on. You could only hear the noise of the car driving, it’s humming which calmed you and Ellie down a bit. You still cried in silence the whole time.

You got out of the car without a word and walked up the stairs to your room, Ellie close behind you.

You Open the door with your keys and you both sit down on your bed. This might be the longest time the both of you haven’t talked while being together and it feels so incredible wrong.

“Why did you step back from me in the beginning. Why didn’t you let me touch you?”

Her voice broke at the end and you looked up to see tears running down her cheeks as well.

“Because … I felt like you didn’t want me there with you. Like you would swap me with her if you had the chance. That hurt me and I know I don’t have the right-“

“I would always choose you”

This time she didn’t sound sad, her voice sounds and feels delicate. Something tickled in your heart, like a string only she pulled on.

“I would choose you in every universe, in every scenario just tell me what you want. Tell me what you want and I’ll be it for you”

Ellie has this affect on your heart, your soul.

She could hurt you so much more and you’ll still choose her over and over again as well.

You’ll choose each other.

You Look at her lips and back to her eyes.

“I want you to kiss me-“

She didn’t waste a second, she put her hand on the back of your head and pushed you to her, the first time ellie kissed you, you tasted like weed and alcohol. And Ellie didn’t care.

If you taste like that she’ll taste like it too.

And you would still kiss each other over and over again.

Your hands found her hair again, like a few hours ago but this time you weren’t careful, you touched her the way you wanted.

Her hands found your hip and she pulled you on her lap.

“Wait - wait”

She stopped immediately.

“What about Iris?” You feel like crying again, if you’re just a replacement because it didn’t work out with her then you might kill her.

Ellie gaze is focused on her hand, that’s still on your hip.

“I couldn’t do it”

“Couldn’t do what?”

Ellie closed her eyes, frustration showing on her whole face

“I couldn’t do this to you- Jesus to her I just couldn’t. I kept on wishing it was you instead of her. The whole time and I mean for weeks. But I can’t lose you and I sure as hell can’t forget you”

Your breath feels lost and I feel dizzy.

“Why didn’t you tell me?” You ask her and out both of your hand on her cheeks, so that she looks up at you.

“Why didn’t you? Because I was scared. Scared of losing you or us or both”

Her eyes got a bit watery again, you’ve known her for so long and you couldn’t even read her when she was hurting the most.

“Give me a second”

You got up and grabbed your phone out of your bag.

Audrey, sleep in Dina’s dorm tonight, in Ellie’s bed

And don’t worry about Ellie

Always warm your roommate about hook ups, or whatever this is. God you Hoped this wasn’t a one time thing.

“You’re okay with sleeping here?”

Ellie’s eyes went wide and her face got red.

“Yeah I mean yes for sure why shouldn’t I-?”

You sit down on her lap and kiss her again, harder this time.

“Is it okay if we fuck? Or too fast?” You ask her looking right into her eyes, so she would understand how serious you mean it.

“N-no im fine Are you fine?”

You grinned, she was so cute when she was nervous.

“I’m fine Ellie. Say stop and I’ll stop okay? Promise me you’ll do that?” You kiss down her neck as you speak and even there her skin was burning.

“Yes I can do that”

You get up to her face again and kiss her soft.

“Can you open my dress for me?”

She nods and her hands disappear behind your back.

The fabric on your skin never felt heavier and you just needed to get it off your skin. You needed Ellie to see you, to touch you.

Thank god you’re wearing pretty underwear, otherwise the anxiety would’ve ruined your confidence.

The cold gave you a little shiver, Ellie hand found your waist again and you literally melted under her touch.

A few seconds ago you were nervous how she might look at you. Ellie has experience, you too sure but she’s enough for you just by being here with you in this moment. You don’t know how she feels about you.

The warm light of your lamp shines on her face and her freckles never looked more beautiful.

Her eyes wander over your whole body.

Your lace bra, your legs, stomach and you’ve never felt this intimate with a person. It’s because this time it’s with her. And you feel golden, god she feels golden, the whole room does.

Ellie’s eyes stop at your bra and she grins.

“You’re so pretty” she whispers, as she kisses the exposed skin.

You sigh smiling, your hands finds her t shirt.

“Is this okay?” You ask for her permission.

She nods still kissing, touching your boobs over your bra and the two of you giggle as you take off her shirt and now both of you are almost naked In front of each other.

“I really wanna do this with some music on” she mumbles under her breath. A few moments later frank oceans voice is filling the room from Ellie’s phone. The bad quality made you chuckle.

Your hands touch her black sports bra, caressing over her small breasts and Ellie shivered for a moment.

It’s all you ever wanted.

All her rough and soft parts combine so good and make you feel so much, that you only want to scream.

You’ve seen Ellie in a sport bra before, at the beach or when she came from the gym, but you’ve always had this weird love for her toned forearms.

Ellie watched you with drunk looking eyes. Now she looks like the one who smoked the joint.

“I’ve imagined this before, so often it’s kinda embarrassing” she confesses.

You shake your head. “Im sure that I could keep up with it”

Your fingers started to make little circles around her nipples while you watched her face carefully, so that you wouldn’t kiss one expression.

Her eyes shut down and her brows furrow in pleasure.

For a while both of you almost fought about the control.

“Please let me take this off” she begs her hands already on your back, as she fumbles trying to get your bra open which was hard because you were moving a lot. From her neck, to her ear, to the other side.

But as soon as your breast were completely exposed, Ellie’s eyes darken and a satisfied grin appears on her mouth.

Feeling her eyes on you made your skin burn and you bury your face in your hands again growling frustrated.

“Please stop Ellie” you begged but you couldn’t help letting a little laugh coming out of your mouth.

You felt her hands on your boobs grabbing them softly, with a chuckle she starts massaging them.

“Stop What?” She mumbles, playing dumb obviously.

Her hands leave and suddenly it feels too cold without them. Ellie gently grabs your wrist and moves your hands away, so she could look at your face.

“Look at me, I won’t do anything unless you watch” she whispers.

It terrifies you for some reason. This moment and the consequences it will have.

Her head moves a bit lower to your boobs and she looks you in the eyes. You feel your emotions everywhere in your body, some are different from others.

“Here”

Ellie takes your hand and guides it too her hair.

“Hold my hair back for me” her voice sounds almost like she was in a trance, a trance she surly enjoyed.

The strings of her hair felt soft around your fingers and you decided to use both of your hands, so that no hair got into her face.

You heard a soft chuckle before she starts kissing your breast softly at first, while looking at you.

Her lips slightly brush against your already swollen nipple and you let out a loud high pitched moan.

You could feel her grin on your skin and all the embarrassment was gone.

She gently caresses over your nipple with her tongue and her fingers played with the other one.

“I really love these fuck” she whispers

The feeling in your core got worse and worse and the needy feeling was almost getting too painful.

“Ellie please I-“ her tongue flickers over you pink swollen nipple and you moan again.

“Hm?” She says completely focused on her work.

“Can you please eat me out or finger me I don’t care just please-“

the look on you face showed her how much you need it, because she immediately stopped and dropped you off her lap onto the bed.

“Yeah I can do that, didn’t know you could ever beg for something” she lets out a little giggle in her typical husky voice, while she kisses you down your body.

Your back found the wall and you changed your position, so that you could still watch her.

Her hands removed your underwear and the cold on your pussy makes you shiver.

She puts your legs over her shoulder and lays down on her stomach.

Her head lift up and she looks at you with a grin, an amused grin.

“What?” Your voice shakes a bit.

“Nothing just happy to be here”

You let out a loud laugh which died a second later, because Ellie starts to lick your clit in evil circles.

“You’re so fucking wet” she murmurs with closed eyes just saw tasting you.

Your voice got louder and louder by every move her tongue made and you could feel her enjoying every second.

“Oh my god faster Ellie please-“

Her tongue licks you faster, she couldn’t stop humming to your moans like she was feeling it too.

“You taste so good, just like I imagined”

Because of her words you got Even more turned on and you moan again, while Ellies holding you legs steady around her face.

“I’m gonna add a finger okay?”

You nodded energetic and gave off a little noise.

“Please Ellie just fuck me” you’re voice sounded like somebody else’s, way too high and way too filthy.

Ellie just chuckled and put her a finger inside your Pussy. She could feel how you’re legs tense on her cheek, as she continued too lick you’re clit.

The cruel combination made you go crazy, feeling dizzy in your head and your hips began too move on their own.

Ellie saw that as a sign too go faster as well, and her finger pushed in an out of your cunt.

“Ellie- please don’t stop”

She grins again, never imagined she would actually have you going crazy like this because of her.

“You’re getting tighter you close baby?” She teased shameless.

“Fuck- so close god-“

She adds another finger and the sudden stret made you moan and tremble at the same time.

“Come for me baby, please, make a mess on my fingers” Ellie sounded close herself and hearing her voice this desperate made you come so hard that you only saw stars for a moment.

“Oh my god- Ellie I’m gonna-!”

You came hard and ellie took everything you gave her, slurping and licking the fuck out of you.

You couldn’t stop panting for a moment, coming down from your high.

When you open your eyes Ellie was still cleaning up the mess you made, feeling her tongue on your skin.

“Okay Ellie- enough or I’m gonna cum again”

You said chuckling.

“Not my fault you taste so good holy shit” she puts her finger in her mouth.

“Ew ellie”

“Shut up I just fucked you with my mouth, you’re not allowed too judge me right now” she slides up to you and kisses your lips deeply with her tongue in your mouth, so you could taste yourself.

You kiss her back, just as eager, but the anxious thoughts won’t leave you alone.

“Um-“ you break the the kiss and Ellie whimpers slightly.

“Ellie is this just-“

“I love you.” She interrupts you, saying the words fast and it didn’t feel real for a second.

“What”

“Ive loved you for a while now I just- I’m sorry for not telling you but I was scared, god I was scared”

Her words hurt you, because you’ve felt the same way. Being too scared to tell someone how you feel is a shitty feeling.

She looks at you, but broke the eye contact immediately.

You pull her into you, kissing her cheek, her nose, her forehead, her everything.

“I also love you… that for a while as well”

A.n: sorry this was so fucking long 😭

And please Interact with the link about helping Palestine it’s literally just one click per day!!!

Anyways I hope you liked it and if there’s anything that I’ve missed or smth pls tell me!!

[girl4music]

“But I can tell you this, Xena… you’re the only constant in my life, and unless you know something I don’t, I’m not going anywhere. So I’m going to say the most selfish thing I’ve ever said to you: that baby’s my baby too, and I deserve a chance to fight for it as much as you.”

- Gabrielle, ‘Them Bones, Them Bones’ (Original script dialogue.)

They knew what they were doing with this scene. Especially the way Xena AND Gabrielle’s heads turn back to the baby at exactly the same time as if they were both proud of making that little bundle of joy between their arms. Also notice how Gabrielle only steps away after a glance towards Xena and Eve, clearly assessing that they both need to be alone while she responds to Hercules' request. As if to say "You stay here, I'll take care of business."

Dialogue is rarely ever needed between these two because the body language communicates so much in small intimate scenes like this. Both the mark of great acting and great chemistry between the actresses. I've always said that it's the quiet moments that truly reveal the depth of the loving relationship between Xena and Gabrielle. Whether you see it in a romantic way or not, you cannot deny that it is not filled with unconditional love. Especially where Gabrielle is concerned.

In fact...

I'm reminded of what Ares says in the ice cave in confession to what he believes to be a dead Xena about the dichotomy between his love for Xena and Gabrielle's love for Xena.

"You're with her now. I handled you all wrong. I know that. She knew what you needed - unconditional and unselfish love - and I couldn't give that to you. But I appreciated you in ways she never could. Your rage, your violence, your beauty. When you sacrificed yourself for others, you were hers. But when you kicked ass, you were mine. I love you, Xena."

- Ares, ‘Looking Death In The Eye’.

And I back up what I say in my character study thesis. The reason why Gabrielle won Xena's affection every time wasn't just because she was good at that moment. It's because she was given a CHOICE to be good in EVERY moment. Ares never offered her that choice. It was always "be mine, or die". Gabrielle always did - she would just take herself out of the picture if Xena chose evil or stand against her.

Such a striking difference is often not spoken about in this love triangle the writers obviously intended between Xena, Gabrielle and Ares. It says that the show never really went one way or the other on the romance not just because it couldn't... But because it didn't have to. There was importance in keeping the romance balanced although many wouldn't admit to it and would rather just complain about it instead. As for me, I think it's one of the most groundbreaking things about it. Rob was definetly right about keeping it this way and I back him up on it 100%. We knew that Gabrielle had Xena's heart. However, the conflict in Xena's heart would always remain because Ares would always be around to remind her of her former life. And in so doing this, we learn that Xena could never be definitively one way or the other either. This is what made her character so damn dynamic. And why it was leagues ahead of its time in queer representation. Even today, a bisexual narrative like this is never done. Or rather - it’s done but it’s never written this well. It’s never connected to the major narratives and themes. And that’s because the queer characters are never the major characters. They’re never the actual narrative. Instead, the queer characters have to wrap around it. And that’s the wrong way of going about doing this.

I don’t care what anyone says.

Gabby was the daddy.

Or the other mother, if you prefer. Although, I would definetly say Gabrielle’s role was typically that of a father. I don’t like gender norms, roles and stereotypes either but that doesn’t mean those are off-limits to a woman.

I’ve said before that the fact Gabrielle was depicted as doing the “typical father” role means the writers were abolishing the belief that only a man can do it and therefore using gender norms, roles and stereotypes as a way to promote equality and solidarity.

If you have a problem with me calling Gabrielle the “father” of Eve, you have to understand I am speaking from the point of view they would have in their time. There was no such thing as a same-sex couple in Ancient Greece in the sense that they could marry and have children without the participation of a male figure. Of course gay couples would exist but would not be socially accepted. Hell, it wasn’t even socially accepted a decade ago. What makes you think it was then? So me referring to Gabrielle as that male figure in Eve’s life should be seen as a compliment, not an insult. I’m saying she had the capability to fill that role and she wasn’t even a man. Just like how Xena could fill the role of a warlord and she wasn’t a man. Can’t you see that I am giving them respect as people who can take on both the feminine and masculine side of situations? Xena and Gabrielle were human anomalies and that’s bloody awesome as far as I’m concerned. I wish more shows today had that kind of gender roles representation with their characters. Sadly, they don’t.

[dotthings]

Congrats to the fans of the wee woo show. I don’t go here but it makes me happy to witness how this arc for Evan Buckley got to bloom and I’m happy because I hope this reflects another shift in the TV industry.

For some media commentary context for you: ABC network is owned by Disney. Fox network was owned by Rupert Murdoch. So I can see how the network change for 911 can easily be a factor on how this got greenlit, after years of creator Tim Minear’s intention to work in hints, on the off chance he could take it there. (I don’t go here, but I did my reading). Oliver Stark who plays Buck also revealed he's been for it and couldn't say anything, until he was sure they could do it, until it aired and was out there. (*steeples fingers*)

For further context, Bob Iger—with George Lucas’ vocal support—just fended off a right wing coup on the Disney board from the kinds of people (like Peltz) who complain “why do we need so many female leads” “why do we need movies with all Black leads.” While it doesn’t mean Disney is no longer an evil megacorp, I’m pointing out that its CEO defended inclusive Disney brand content to the shareholders and the board, as well as dismantling the idea that it can’t be entertainment while being diverse.

The ripple of this goes outside of the wee woo show fandom. I’m seeing the joy on my dash from people who don’t watch the show or don’t watch it regularly, as well as from people who have been watching a long time and noticed things and realized there was a progression and it was there all along, and I know how much this must mean to a lot of people. With the world being how it is, with what people are facing inside the US from the far right, in their real lives.

It’s very hopeful in general for inclusion levels on a major network TV show, owned by a big evil megacorp. Representation matters.

Also I'm aware the wee woo show already had a queer couple, plus it's already an intersectional inclusive series, that’s great.

There shouldn't be limits placed on inclusion though. “But you already have X” shouldn't be weaponized to tell people to shut up. There is no “enough” or “too much” when it comes to inclusion. While I'm not for undermining the inclusion that's there, I've seen that weaponization used with a series that hasn't been great on inclusion, and I've seen that weaponization used for 911, which is. It's a sus argument.

Indirect and unintentional as it is, also bi Buck shut down every concern troll, every gaslight, every denial, every rationale I've ever seen people deploy against bi Dean. Everything from people who don’t understand what bi actual means—“but he likes girls so he can’t be bi”—to “but he wasn’t declared bi from the start of the show so he can’t”—yes he can and the wee woo show just did. On one of the original big three networks. Or people who say it would "ruin the character." Really? “But he’s an action hero”—so what? Evan Buckley is a hero, Dean is a hero, both badass action heroes. “People who see this as canon are delusional”—Evan Buckley went O RLY? Not so delusional now, is it.

Evan Buckley avenged bi Dean.

It’s self-evident. It’s right there. Different show, different network, but the concepts are familiar, the situation has a certain familiarity. This turn of events on an ABC show didn't just make bi Dean fans valid. bi Dean fans were always valid, the bi Dean reading was always valid. But I appreciate how much what happened on the wee woo show bonked people with a truth stick, about self discovery, character arcing, queer readings, queer coding, and the validity of merely noticing things.

[luffyvace]

Uvogin x reader who’s as big as him ᕦ(ò_óˇ)ᕤ

Loll i thought this would be cute and funny!

His reaction to you being as big as him depends on your status to him

if your a passerby and the troupe’s current goal is to wreck havoc he’ll have fun beating up someone the size of him 😃

just because he’s not fighting “tiny ants” for once

- Uvogin

but if your in the troupe or good friends from meteor

he is definitely a lot more happy about you being bigger like him

now you’ve been promoted from a tiny ant to an equal 😎

sparring with him is always fun

and handy since he’s really strong so he definitely pushes your limit, making you stronger too!

if you don’t like to spar he’ll probably throw punches at you anyway and basically make you fight by attacking so you at least have to defend

he probably went up to you first and started a conversation after he saw you two were the same size

he likely started the convo like the two of you were old friends

it’s that moment when you instantly hit it off with someone because of a big similarity you share

(get it?! a big similarity?! 😆)

if your in the troupe he’d enjoy partnering up with you a lot

you, him and nobunaga may become a trio

you two probably earn a unspoken nickname of giant duo or something like that

arm wrestling is a thing.

no questions asked.

seriously tho he practically makes you, like how he makes you spar

sparring is more like play fighting for him 😂 (just for the record)

drinking contests is also a thing 😋 (if you like to)

ngl I’m betting that he might win-

LOL

of course we love reader here 💪💋💪💋 (HAHAHHAHA)

but just knowing how many beers he chugged that one time I gotta bet on him 🤷‍♀️

he likes your strength, might I mention

of course he does!

even if you don’t work out/kill your still probably stronger than most because of your height

muscles or not

picking each other up is a back and forth thing

Most times when you do it’s to throw him……for being a jerk

but he usually does it to you in an affectionate way

plus he thinks it’s funny if you don’t like it

so he may do it just to annoy you

but it’s also good to be able to pick each other up if the other is over exerted from a fight

also..

(if you have them…..)

flexing and seeing who has bigger muscles is a friendly competition til it’s not

then it becomes a sparring match and whoever wins has bigger muscles

despite the physics of who’s is actually bigger 😊👍

Whoever’s is stronger must be bigger right?? 🤨

but if you somehow manage to keep it from turning into sparring then it’s really goofy

”hurrr look at MY big musclessss!!” 💪💪

”noooo! Mine are biggerrrrr” 💪💪💪💪

”lies! Obviously mine are the biggest” 💪💪💪💪💪💪💪💪

”HURRRR! See! *obviously straining* mine are even bigger than yours!” 💪💪💪💪💪💪💪💪💪💪

he’s not very romantic in conclusion

it’s more like a queer platonic relationship

because he’s definitely still very physically affectionate towards you (more than anyone else <3)

his love languages are obviously physical touch and quality time

you two are practically inseparable

mostly because Uvo tags along any outing you go to

he’s bored and your the most interesting person he knows

and especially as one he can relate to,

he’s very prone to following you around 🤷‍♀️💗

and then we have physical touch!

where regardless of whether you like it or not (he does not listen to any complaints you have) he kisses you randomly throughout the day!

a kiss when you get up, a kiss when you go out, a kiss after not seeing each other for a long time, a kiss after a favor- WHENEVER!

kisses, kisses, kisses.

kisses? kisses.

he will also casually throw an arm around your shoulder pretty often

which you might mind a lot less

if your in the troupe they’ve pretty much gotten used to his affectionate ways so thankfully they don’t make fun of you (except maybe shal and fei)

they don’t see you two as weak because of it so don’t worry

he does it to them too after all so they know how you feel 😭

especially shal 🤦‍♀️💖

which not to mention shal is probably close to you as well

uvo basically makes all his friends your friends too

just because he likes seeing his people together

so even if your not in the troupe and your from meteor,

once he fully trusts you, you’ll get introduced to the troupe in a jiffy 😂💜

I love this concept it’s adorable

I’ve seen some Uvo stans out there before, so here’s to adding to the little content there is for him ♡

[clairedaring]

Compilation post of my favorite Nadao actors (Nonkul Chanon, JJ Krissanapoom, Tor Thanapob) & Bright Rapheephong giving some interview answers on why they decided to star in queer/LGBTQ+ coded series/roles, some of their takes on being in BL (Y)/Queer series.

note: if you find this post familiar, it's because i've posted this on Reddit before. reposting here for archival purposes

TOR THANAPOB

Tor Thanapob interview in April 2023 when being asked about starring in Midnight Museum (a queer-coded GMMTV series) - (translation by infinitygraph_)

Tor: I think nowadays we should stop talking about gender. It doesn't mean that I have to act with women all the time or I can't act with men at all. I feel that I have proved to everyone that, work is work, and everything is about art. Even my team who are staying with me all the time has all kind of sexualities. It's not strange if someday we want to try telling story of other sexualities that we feel that we might be able to help them telling. If you ask me if today I am like that, today I might not, but I have a chance to understand them more, so I want to do it. Q: Is it because of the spoiler that [Midnight Museum] might be a series Y (BL)? Tor: Nothing to do with it. I tell you, sincerely, it has nothing to do with the spoiler. I just want to say that you don't have to overthink about it because nothing is fixed. Actors are actors. These days there are some award shows don't divide genders into categories anymore. I think this is a great step. Actresses also don't have to act with men all the time, they can act with women. And they both being the main characters Right. Because not all the main characters from every project have to come with the word 'love'. Even if there's 'love', there're many kinds of love. It's up to the audience what kind of feeling they have. Do they feel the same as me or they even feel more than I do? Q: So that means these days you can accept the work without any limit about what you are, which genders... Everything is about the story/script-writing? Tor: Right. I admit that I was afraid before. I wasn't afraid about my image, I was afraid that I would tell the story without understanding it, because I didn't have any experience at all. But at some point I found the chance to be more open-minded, brave to act it out all the way, such as Midnight Museum...

Tor's Vogue Interview in February 2024 on Spare Me Your Mercy as another important milestone as an actor (all translation by saltymarbles on twitter)

Tor: As for Euthanasia, I’ve been interested in it just from its name. If we were to go back in time to the period of the Prime Ministerial elections last year, there was some talk regarding the laws about euthanasia. As such, I know the meaning of it but if I had to explain it, I wouldn’t dare to because I don’t know that deeply about it. Tor: Up to the day that this drama happens, the owner of this project told me he wanted to set this question before anything changed in society: ‘Actually, are humans capable of choosing their death?’. Tor: This question shot through the core of my brain and immediately, i was like: ‘I need to tell this story’. And the role that he hoped to give me also served that function too. It’s a character which sets up the question of ‘what is right?’.(t/n: "this question" likely refers to a more philosophical kind of question regarding morality which asks what does being ‘correct’ mean — what is ‘objective morality’ (if it exists)) Tor: Do the people who are really suffering have the right to ask to leave? (t/n: "leave" is just a polite way of saying die (Thai people usually don’t use directly use the word die when talking about humans, usually use a more polite way like how we say ‘passed away’ or ‘xyz has left us’) Tor: Thus I decided to play along with knowing that the timeline of Euthanasia will remain with one in a hundred (people), so I like shades of the polar opposite. If the first story is navy blue, the other will be red — not close at all.

NONKUL CHANON

Nonkul's response to the question “If you have a chance, would you consider playing in a BL series? If accepted, who do you to co-act with?” in a Facebook Q&A video in 2021

Nonkul: If that series is an interesting storyline for me, I am always open to any kind of genre. I never categorized BL series as an BL series, I just think of it as a series with another plot as part of my work. It is a normal series that can have any of the plots which I will categorize as Romantic Comedy, Drama or whatever. Thus, when I choose the BL series I want to work with, the love preference of the character does not affect my decision. If the plot of the series is interesting, of course I’m gonna do it for sure. Every work that I chose, I personally think it at least enjoyable for me. Of course, if in the future, there are BL series with plots that I find interesting, that I enjoyed the script. “Like, wow, that’s my type!”, I will definitely selected it to be my future project. A good written series is a good series. This is what I believe as an actor. For BL Series, I think I can work with everyone. I don’t think I have anyone in particular. One thing! I desire the character of that person/actor? to be close to the character in the series. At that point I will be satisfied. Sometimes, I as an actor have a chance to work with people who don't have a lot of acting experience. I will still discover something new from him as well. And there is a BL novel which I really like! [Nonkul explains the plot of his favorite BL Novel ‘Peremo’] I would prefer to choose the “heroine” role because it will be a new experience for me as an actor because it will be a new experience for me as an actor. Because basically I only play as a hero role for the main character or support character in my work, but a “heroine” role in a BL series is the only chance for me to play a character more feminine. So it is a new experience for me. [Nonkul continues raving about 'Peremo’]. But if you think that you can make [an adaptation of Peremo], please do not forget me, Nonkul! Pleaseeeeeeee, I will do my best, I promise!!! However, I’m not only fixated on this novel. I’m also open for many more BL series if there is an interesting plot.

Nonkul's response to being ask if he's worried about filming NC scenes in IFYLITA (translation by saltymarbles)

Nonkul: I have to say when I had finished reading [the novel] and it’s made me want to act (in this series). I am probably worried more about the CG because if it’s a fantasy story with time travel, if the CG isn’t good, people will feel that it’s ‘off’. Because CG is something we don’t know anything about until we see the final product. One of the reasons that I accepted this role is because for some series, when I’ve read (the script/novel) for homework, I don’t accept them because there are some scenes that are forced in just for the sake of fan service. And I’m not really into that. If it’s a natural NC scene, then I’m not bothered. I’m a person who places a lot of importance on the story in series making sense. So to me, if an NC scene is reasonable, I won’t be bothered by it. But if it seems forced, I’m not into it. It’s important to show human-ness.

Two clips of Nonkul being asked what he thinks about doing NC scenes in IFYLITA (Clip 1 and Clip 2). Nonkul said that he places great importance on the character's actions. If an NC scene is reasonable he wouldn't mind but would if it's not reasonable. For Nonkul, understanding character is very important, especially for himself as an actor. Nonkul also said previously he had rejected some BL series offers because he can feel when NC scenes are put in just for fan service, which is also a reason why Nonkul accepted to play Jom in IFYLITA is because the love scenes are natural and make sense.

JJ KRISSANAPOOM aka JAYLERR

JJ's interview in February 2024 on Spare Me Your Mercy and his chemistry with Tor (translation by saltymarbles)

JJ: The pilot of ‘Euthanasia’ has been received well since the novel has many fans already who are excited about it. JJ & Tor are similarly excited and are committed to doing their best. The chemistry between Tor & JJ need not be questioned according to JJ since they are already close with each other. The series is in the phase of pre-production currently.

One of my favorite fictional characters of ALL TIME (not just in Thai or BL series) has got to be Tangmo from Great Men Academy (2019) (the series that a lot of BL audience refused to admit it's a queer series). The character Tangmo (played by Jaylerr) was questioned by the press about his gay crush on the protagonist: "Do you think being gay affect your chance of winning the competition?" to which his reply was a stellar "Well then let me ask you something, Does being gay make my good deeds meaningless?"

This isn't the first time JJ has played a queer role, JJ has played a gay character in TWO seasons of the LGBTQ+ series Diary of Tootsies (2016 and 2017). JJ plays Gus, the love interest of the main character.

So even though many BL fans consider Spare Me Your Mercy to be JJ's "first" BL series (which I don't agree with this strict interpretation of BL series), it is definitely not his first QL (Queer Love) series nor queer-adjacent roles as shown through out his filmography.

It is also noteworthy that even during the airing of these series, JJ was already in a public relationship with his fellow actress girlfriend Thanaerng (who has also played sapphic roles). You can see that the real life relationship of JJ or Thanaerng do not influence how/what projects they take on because work is just work :D

BRIGHT RAPHEEPHONG (all translation by saltymarbles on twitter)

Bright at Mono29 Lineup event

Bright: I think that, as I’ve previously said, BL series are just like other ordinary series or movies. Like IFYLITA can be changed to be said to be more like a period drama. I feel that BL is just about two people loving each other, not about whether it’s about male-male or female-male. This series is a period drama and it’s a romantic comedy and the other series is an action drama.

Bright's Interview with LIPS Magazine

Q: What if one day, we’re sucked in by the ship? Bright: I think fans in this day and age don’t need actors to do fan service to that extent. For myself, I’ve never intended for it to be the foundation (of his work). I think it’s a matter of being partners and working together. As such, it’s somewhat good in every aspect because it’s not forcing it. But in some moments, there may some actions that may just be the result of being friends. So even if fans ship, it’s cute to me. (smiles) Q: Do you feel a sense of “newness” stepping into a full-fledged BL? Bright: I feel that BL series are another branch of acting. I don’t think of it as being a specific form of male to male communication. It’s just another type of series just like action dramas, comedy etc, it’s just another kind of role that we can play.

Bright's Interview with Praew Magazine

Q: How is it working with Nonkul? Bright: Nonkul is a person who already does a good job at his work. He does his homework and he is also good at delivering and receiving emotions when on set. It isn’t just Nonkul who is great but the other characters in this series too, this includes P’Tee, the director. We can always talk about ideas which made the work even better. If asked whether entering the scenes with Nonkul made me shy, I would say that BL series are just another branch (of acting), it is just another role. I don't think that when acting with another man, that there’s a need to feel anything. I feel that it’s just another form of work. Another thing is that our workshops were very complete. When we work together I know what level and extent I can go to, what I should do and also trying my best in how I should feel. Thus, I felt at ease working together.

Bright’s Interview with NineEntertain

Q: Are you happy to do “ship” activities like this? Bright: I feel that if there’s an opportunity with regards to being an actor, I don’t want to be stuck in ships like this. I accepted this role with the status of an actor and I want to accept various roles too. It doesn’t always need to be BL or a specific kind of series. I will have another series next year which is ordinary boy-girl relationship and not a BL series. I feel that BL series are just another category of series — not like BL series are just BL series. It’s another category like action, romcom, or drama. It’s just another category. Q: There is still the possibility of coming to act as per usual. (unclear of what the interviewer said) Bright: I feel that with every work opportunity, it’s more about the script and storyline of the work that I were to accept. For example, I accepted the role of Khun Yai in IFYLITA as i felt that it was a script that was suitable for me. I didn’t think of it as “oh it’s a BL series, I need to accept it” because to be honest, I have been contacted for various BL series but because [IFYLITA] storyline is really good, I wanted to try acting in it. Q: What is the difficulty of acting in BL as an actor? Bright: I feel like there isn’t any difference compared to regular series. I feel that when two men love each other or kiss, I don’t think of it as (me and) a man, I think of it more as each of the characters or persons. Q: Does that affect the trend of being a ship? Bright: Hmm… Actually I am not able to answer that because I feel like it depends on people’s perspectives. Because some people may prefer that (an actor) has a (onscreen) gf/bf but some people may be upset about it. I feel like the trend depends on the people’s perspectives as people have different ways of thinking (about it). I think that I am open to listening to all different opinions on this. I feel that working (in this industry), you should be able to explore different things and you should not be fixed in one thing. We need to continue moving onto the next thing. I feel that Non has his own work and I also have my own work, and other actors too have their own upcoming work. It doesn’t mean that coming to act in IFYLITA means that you stay in IFYLITA forever. Q: Some may feel that it’s sad their their ship is coming to an end and that they are gonna work with different people. Bright: Actually, there are still some upcoming pair events but as I’ve said earlier, everyone needs to continue to do their own duties as an actor. Q: What if people change their minds about shipping your ship in the future? Bright: I think it’s a normal thing. I feel that when someone (likes us), they also like our work. I feel like our fanclub likes both Yai and Jom, and they also like Bright and Non. They like the characters and that Bright and Non play these characters and they so they like us at this point. I feel like people who came to like us are also fans of other people. I feel that they are a source of encouragement for me when they like me but I am also glad if they meet someone new or support another person. I feel happy when they come to meet me and if they’re happy when they meet other (celebs), it’s a good thing for them. If there’s a new person, an older person, a regular person or a person they just met that they are happy to meet, I feel that it’s nothing to be stressed about. Let’s say a fan comes and likes me and is following my work and there’s someone new who enters and they like their work, I am glad for them to go support that other person because that person can bring happiness to the fan.

Wow, I really got carried away with this compilation but as a fan who's followed Nonkul, JJ and Tor since their Nadao days, watching them star in queer-coded series/roles like Bangrak Soi 9/1, Hormones, Diary of Tootsies, Great Men Academy... (or in Bright's case a gay character in lakorn Rivalry), I'm just so proud that they have been able to receive "BL" series script offers that they would like to take on.

I've never sat well with the difference in the treatment of the press to "BL actors" and "non-BL actors". I wish there weren't such a distinction because it feels like the notion itself holds a lot of prejudices baggage with it, to both "BL" and "non-BL" actors. To quote a friend on Reddit, "I believe most actors would feel more fulfilled if they knew their fans loved/respected them as individual artists, instead of only seeing them as one part of a unit whose value is lower when 'separated' from their official partner."

[a-yellow-van]

Wish You Were Here | Part 3

You and Joel get stuck in a blizzard during patrol. It leads to something unexpected.

Series masterlist

Pairing : Joel Miller x f!reader

Fanfic tags : canon compliant, slow burn, romance, some smut, angst, hurt/comfort, joel and the reader are terrible at feelings, female reader, no use of y/n, reader is in early 30s, past relationships, trauma/PTSD, grief, loss, post-apocalypse, jackson joel, joel is a good parent to ellie, protective joel, major character death, original characters, queer characters, bisexual main character, age difference, canon-typical violence

WC : 8.9 k

Warnings for part 3 : Minors DNI! swearing, drinking, mentions of trauma and PTSD, mild violence, explicit sexual content (masturbation, unprotected sex, p in v sex, rough-ish sex, praise kink, pet names, limited aftercare), more hurt than comfort I'm sorry

Writing this one hurt a lil. But I'm happy with it. So please enjoy.

It’s been half an hour. Thirty minutes of riding side by side in complete silence, interrupted only by the sounds of Old Beardy and Willow’s hooves rhythmically crunching in the snow.  It seems like an eternity. The tension is so intense it’s almost palpable. Your presence, a blur in Joel’s peripheral vision, is putting him on such an edge that, at any given moment now,  he could turn around and gallop back to Jackson, or start saying things he’d better keep to himself, or get you off your horse and take you by the waist and…

No. Nope. Stop it. 

His grip on the reins tightens and he bites his inner cheek until the stab of pain rips his mind off that absurd train of thought. He stares straight ahead at the deserted highway, the stretch of the 191 carved in a broad valley. The landscape is lost in a sea of white, the concrete below  invisible, crashed cars resembling large animals sleeping in a snowy den. Joel’s face is numb from the cold, rugged skin humid, a few wild strands of hair on his forehead pearling with ice. The brim of his insulated cap isn’t enough to shield his eyes from the stinging wind, but still, he stares, almost unblinking. His neck itches with the urge to turn and glance at you; he has been actively fighting it ever since leaving. He has to remain collected, he has to concentrate on the job. That sentence is playing on loop in his head like a mantra, so much so that the words are getting jumbled, barely making sense anymore. 

He doesn’t understand why it’s been so difficult to just move on from what happened. Not one day during those two weeks has passed without his thoughts drifting back to that brief intimacy he shared with you, without wondering what you’re doing, how you’re doing. And he loathes it. Hates being confused, hates not having control, hates that you’re having such an effect on him. So, before he drives himself crazy, he decides to start counting the cars until the both of you reach the first checkpoint on the Hoback route. Joel has calculated about five miles since Jackson, only around three to go until the job gets more active. There are two cars on the right, their shapes stuck together in a permanent collision, and one on the left. Joel can make it. 

Small, repetitive rituals like this always helped him focus; back when he was working construction, a lifetime ago, he’d recite stupid ad jingles to himself, trying to remember as many as he could and associate them with the correct brand. There was a famous one that Sarah used to sing just to annoy him, delighted when it worked without fail every time. He’d be reading the newspaper in the morning, or watching a game, or driving her to school, and she’d pipe up out of nowhere. And then it’d be stuck in Joel’s head for days. Some annoying rap about credit reports. How did it go again? F-R-E-E, that spells free…something something dot com, baby. Sarah’s mischievous giggles, after he begged her to stop, echo around his mind. Less than a year back, it would have sent him down to a dark, sunken place with slippery walls nearly impossible to climb out of. Not anymore, after Ellie. The memory’s still stained with grief, but it doesn’t feel so crushing to carry. He’s accepted it as part of him. Joel tries to recall the rest of the lyrics to that damned song; he thinks Ellie might get a kick out of it. She’s always so eager to learn about even the most meaningless things that existed before the outbreak. 

It does the trick to distract him from you. It works so well, in fact, that he nearly misses the turn to the checkpoint. He pulls on Old Beardy’s reins suddenly, steering him in the right direction. The horse neighs in protest. 

So much for concentrating. 

You’ve certainly noticed the mishap, but you don’t comment on it, much to his relief.  

Get a fucking grip. 

Joel begins down the side path to an abandoned gas station, the tension rising. Maybe, if one of you were to point out the obvious, it would make this whole situation a bit less miserable. But Joel isn’t going to be the one to do it. It would come out all wrong, anyway. 

The place is small, a few pumps decaying under a canopy that’s barely holding on to four crumbling steel rods. The convenience store isn’t in better shape, its windows shattered, the signboard crashed by the entry. You take initiative and move towards the back of the building; Joel takes it as a cue for him to check out the front. The advantage of being an experienced patroller is that you can do your job without much communication; at least there’s that. He jumps off Old Beardy and walks up to the building, unworried but readying his weapon nonetheless. If there were infected around, he’d have spotted them already. Just as he thought, the interior is empty, what’s left of it is covered in a thin film of dirty snow. Just for good measure, he checks the storage and the restrooms in the back. Still nothing. He jogs back to his horse just as you turn a corner, you and Willow coming back into view, calm, unperturbed. 

You don’t wait for him to leave. He scrambles to mount Old Beardy, and you’re already back on the highway. It sustains Joel’s growing irritation; he almost yells out for you to slow down. Sure, ignoring each other is one thing, but being unsafe and disrespecting patrol rules is another. So, as a punishment, Joel spurs Old Beardy into a run and catches up before overtaking you, almost knocking you off Willow. He hears you gasp out in surprise. You try to swerve to the right, but he blocks the move. He wants to make you crack. Because he can’t be the one to do so first. You try the same move, to the left this time, and again, Joel is faster. He takes things a step further and lets out a dry, arrogant scoff. 

That’s it. You’re about to rip into him. But only the whistling of the wind responds; you keep stubbornly quiet. You don’t even give the man a glance when he finally lets you pass and get back on his side, your expression set in stone. 

Damn it. You’re good. 

Joel doesn’t attempt anything else, deciding it’s wasted energy. You both continue on the road, status quo, for another hour. You stop at a few other checkpoints around the highway : an old RV park, a fire station…Warm, sheltered places that would draw in people, or things, at this time of year. But there’s no sign of life anywhere. By this point, Joel would usually have had to take out at least a stray runner. It’s almost unsettling. Like the calm before a storm. That little seed of concern plants itself inside his mind, heightening his senses. You must feel it too, because you guide your horse closer to his, and he notices your right hand leaving the reins to rest on the rifle hanging from your shoulder. 

Sombre clouds are accumulating in the sky, hanging low, menacing. The wind increases as you both reach the highway exit to the small village of Hoback, carrying sharp snowflakes that cut Joel’s exposed cheeks. The path is narrow, flanked by tall conifers that grow denser, their branches drooping down from the weight of the snow. You’re forced to get behind the man, your gaze on his back piercing, nervous, uncomfortable. The both of you still don’t talk, but the atmosphere has shifted, the unspoken conflict momentarily forgotten. 

Joel moves forward cautiously on trot, alert, scanning his surroundings. The first cluster of residences comes into view, simple log cabins settled at the foot of a hill a couple yards away. From the distance, nothing looks out of place. He signals for you to follow him, and you patrol up and down the short street, hastily inspecting the houses on both sides. They’re frozen in a dead silence, immobile, ravaged by years of negligence and harsh elements. Instead of being reassuring, the absence of movement only causes Joel’s foreboding feeling to develop. Something is very off here. The both of you repeat the process through the village, falling into calculated, practised gestures. And, while patrollers have the habit of checking some key places for supplies to bring back to Jackson, this time, your pair instinctively works as fast as possible, not entering a single house. There’s an unwritten agreement to get the hell out of here as soon as you can. 

You’ve cleared out most of the village and, at last, you reach Snake River, the sounds of its turbulent waters mixed with the wind is tumultuous.  There’s a bridge ahead, just large enough for a car. Its wooden structure is unstable, some slats have fallen, the rest are icy and split in places. This next part has to be done on foot; the horses would collapse through the bridge and drown if they even took one step on it. Once you cross the river, you’ll need to walk a couple miles to the outskirts of the village, finishing off the route at an old golf course. The clubhouse is a great lookout to the area; it holds the patrol logbook. Joel halts Old Beardy before the river, and you stop next to him. The animal shakes his head, freeing his mane from the layer of snow. Joel hesitates, not quite ready to leave the protection and speed horseback offers. He’s debating if an acute gut feeling is reason enough to turn back and leave patrol unfinished. 

That short moment of doubt is precious. Because a second later, nature seems to fall completely silent around you. As though a predator is roaming nearby. Sudden, horrible snarls erupt from the woods stretching to your right. The ground trembles beneath fast, uneven footsteps. A lot of them. Too many. Time stops as Joel looks in your eyes for the first time in hours. They’re full of fear. 

And then a runner stumbles onto the trail about three hundred feet behind, twitching, its mangled head snapping in your direction. Followed by another. And another. It jolts the man right into action. 

“COME ON!” He urges you, spurring Old Beardy to a gallop. 

There’s no way to go, but forward. Joel barrels around the bridge and down the slope, reaching the riverbank. You don’t leave his side, thighs clenched around Willow’s flanks, arms straining with the reins. And as your horses hooves hit the ice, the horde has crossed the distance, pouring down the embankment. There’s at least twenty. Some of them fall into the water, the current seizing them immediately. But it’s not enough to stop them. Joel’s heart is hammering out of his chest, his body rocking with the movement as Old Beardy pushes on, fueled by the danger. Joel lets go of the reins, expert fingers grasping his rifle. He swiftly points it at the first runner that lunges at his left, and lodges a bullet in its brain. The next one steps on the corpse, ready to attack. It meets the same fate. The gunshots coming from your side clearly indicate that you’re handling yourself. Before long, Joel has emptied the chamber, not one bullet wasted. 

“RELOADING!” He shouts. 

You cover him, taking out an infected, mere inches before his claws dig into Joel’s ankle. He doesn’t have time to thank you, however, pulling the trigger the second he readies the rifle again. You both maintain the rhythm up for what seems to be hours, the horses snorting through the effort, runners dropping like flies. Joel has lost all sensation; he doesn’t feel his lungs burning or his muscles pulling; the adrenaline has completely taken over. He keeps riding. Shooting. Reloading. And…Yes, there.

Only two of the fuckers left. 

One on your side, one on his. He fires. Perfect shot. He thinks the two of you might make it out unscathed. 

But then, something happens. Your weapon is pointed at your own runner, about to shoot. But you hesitate. Joel watches as the creature strikes. Willow panics. She rears up. And you are thrown to the ground.   

——————————

That runner. 

It looks so much like her. 

Your body hits the riverbank, head bouncing on a rock, wind knocked out of you. A sharp pain erupts in your skull, high-pitched ringing explodes in your ears, stars appear in your vision. In a fraction of a second, the creature is straddling you. You weakly push an elbow against its chest, keeping its jaws from locking around your neck. It twitches, screams, clacks its teeth. 

And you just…accept it. Twenty-one years of surviving, and this is how it ends. 

You close your eyes. 

And you’re back in the forest. That day. You’re running, faster than you’ve ever done in your life, branches grabbing at you, slicing your skin, like they want to prevent your escape. You glance over your shoulder. She’s gaining on you. Her eyes have turned a milky white, her clothes are ripped, her skin bloodied. But she still looks so much like herself. She still sounds like herself. Your baby sister. Her discorded weeps fill you with a gutting terror. You can almost make out the repeated word. Your name. Tears fall down wildly as you dart between trees, your breathing erratic, throat on fire. 

“PLEASE! ANI! STOP!” you howl. But she’s gone. She can’t understand. So she chases, and you run. 

Until your foot catches on a large root, sending you tumbling through the underbrush. Your gun clatters away from you. You lay there, stunned, dirt in your eyes, your nose, your mouth, ankle bent at the wrong angle. 

She pins you to the ground, broken nails digging in the skin of your arms. You flail around, kick at her, trying to free yourself from her impossibly strong grip. 

“STOP IT! ANI! STOP!” you cry out again, voice raspy, hollow, desperate. 

Your right hand pats around blindly for the weapon, your left is pushed against her forehead, forcing her mouth away from your exposed shoulder. Your heart is beating so fast it seems like it’s stopped. Maybe it has. Maybe you’ve died, and this is just a flash of your last moments as you drift into peaceful, eternal rest. Or maybe it’s a horrible nightmare, and you’re about to wake up, a hand laced in your sister’s soft hair, light snores escaping her lips. She always looks so innocent when she sleeps, like all worries have washed off her, like she’s been sent back to a happy childhood in her dreams. 

Your fingers brush against cold metal. You close them around the handle. 

Bang. 

The shot echoes, in the past and in the present. 

You’re still alive. 

The runner’s corpse slumps down against you, coating you with gore, a foul smell making you gag. You’re paralyzed, trembling, chest rising and falling erratically, gasping for air. You look up at the angry grey skies, the snow plummeting down, catching in your eyelashes. Everything stands still for an instant. 

It all comes rushing back as the dead infected is ripped off your chest, discarded to the side like a rag doll. You sense a presence crouching down next to you, and Joel obscures your view. 

He calls out your last name, loud, snapping you back to reality. You focus on his face; it’s flushed, expression tight with stress, eyes darting, searching for yours. 

“Hey! Are you okay?” he yells. 

Joel takes you by the shoulders and pulls you into a sitting position, the sudden movement making you dizzy. You stare back at him, eyes wide, blinking rapidly, unable to answer. Stunned.

“HEY! Did it bite you?” he continues, shaking you. 

You move your head side to side in response, causing it to throb in pain. You wince, raising a hand to your occiput. Your glove comes back crimson. Joel’s eyes fall to the blood, and he mutters a curse. He reaches into his coat pocket to take out a rag, balling it up and pressing it to the back of your skull. 

“Keep that there for me. Can you do that?” He speaks in a low, steady tone, but there’s an edge to it you pick up on. You nod and execute yourself. Willow comes over and nudges you with her nose; her way of apologising. You pat her with your free hand, reassuring. It was your fault.

Joel runs back to Old Beardy, the poor beast trembling from the fright. He takes something out of his pack’s front pocket and brings it back : a small bottle of rubbing alcohol. He twists the cap off with his teeth and kneels behind you, taking the rag and pouring some of the liquid on it. He rubs it on your wound, eliciting a shriek.

Holy shit that hurts. 

Joel inspects the injury, parting your hair to expose it, the rough fabric of his gloves like sandpaper on your scalp. 

“Cut isn’t deep. But you’re gonna get a mean bump.” Joel explains, applying more pressure. He stops the bleeding, aided by the cold, and wraps the rag around your head, securing it with a tight knot. “We gotta keep moving. Can you stand up?” 

This version of Joel, assertive, protective even, catches you off guard. It’s such a stark contrast from his attitude earlier in the day. It nearly makes you forget how close to death you just came.

“Uh, I-I think so-” you reply, regaining your voice, before attempting to push yourself off the ground and falling back down. Your head spins. 

Joel offers you his hand, which you take to pull yourself up slowly, your whole body protesting. Bile rises up to your oesophagus. You lean over, breathing through your mouth. 

“Shit. I think you have a concussion,” you hear Joel say, from far away.

And, then, as if things couldn’t get any worse, the storm picks up. The snow gets so dense you can barely see five feet in front of you. The man takes the lead, urgently guiding you towards Old Beardy. He helps you mount, taking you by the waist, and you don’t even think to resist. There’s no way you can ride by yourself in this condition. Joel gets on and takes the reins while you hold on to him, chest pressed against his back. He whistles for Willow over the wind. She follows right behind. 

Joel leads his horse out of the riverbank and into the surrounding woods, visibility getting even poorer. You’re blinded by snow, breathing it in, wheezing. You put all trust in Joel’s sense of orientation, praying that somehow, he gets you back onto the road. He presses forward, a hand raised in front of his face to protect it. 

What a stupid fucking way to go out. Lost in a blizzard. With Joel Miller. At least the town would have something to talk about. 

But then, miraculously, the trees begin to thin out; ahead, you can make out the faint outline of a trail. 

He did it. 

You squeeze Joel’s torso tighter, as if to thank him. Old Beardy perseveres, pushing one leg in front of the other. Your head is getting heavier, the concussion pulling you towards a dreamless sleep. 

“Hold on. We’re almost there.” Joel affirms. You’re not sure who it’s destined for : himself, you, or the horses. Maybe all four. But it’s all you need to let go, and you pass out, head slumping on Joel’s shoulder. 

——————————

You wake up to the sound of snow pelting against glass. Your skull feels like it’s being drilled into with a jackhammer. You pry your eyelids open and try to get your bearings, vision foggy, as though you opened your eyes in a chlorine pool. You find that you’ve been laid out on a frayed, deformed couch, springs digging into your back, a quilt smelling of mothballs thrown over you. Your winter attire has been taken off. You push yourself up on your elbows and look around the room. It seems to be the small living area of a cabin; there’s a rustic coffee table where both packs lay next to the bloody rag that acted as your bandage. To your left is a large, frosted-over bay window; the outside is an infinite, oppressing white. Two sets of jackets and ski pants hang from antler-shaped hooks next to the front door, a puddle forming underneath. A stone hearth takes up the wall in front of you, fire crackling inside. And, to your right, a plaid armchair. Joel is sitting in it, leaning forward, forearms resting on his thighs, watching you intently with knitted brows. His expression is hard, severe, unfriendly; he’s back to his normal self. You hold his gaze, your sight slowly getting clearer. 

“Uh. Hey,” you speak hoarsely, throat dry. It makes you cough, which prompts Joel to get up and rummage through your pack to retrieve your canteen. He tosses it to you carelessly, and you fail to catch it. It lands on your lap with a thump. Joel plops back into the armchair, huffing. He is very transparently upset with you. 

Great.

You take a long gulp of water and wipe your mouth with the back of your sleeve, the day replaying in your mind like on a movie theatre screen, pausing on your near-death experience. And you’re baffled, ashamed of your own actions. You can’t believe Joel had to step in and save your sorry ass, like you’re some kind of damsel in distress.  

Fucking rookie mistake. And now you have a goddamn concussion. 

You massage your temples and suppress a groan. “How long was I out?” you ask instead. 

“About an hour.” Joel answers, tone glacial, deprived of any sympathy. 

“Did you try calling Jackson?” You nod over at the small radio sitting on the ground by the window. 

“Couldn’t get a signal,” Joel answers, gruff, as if it’s an obvious fact. 

You roll your eyes. You know he’s right, but still, you stand up despite sore muscles, and go over to the device, cranking it a few times before trying the channel knob. You’re met with static. Joel mumbles something under his breath; it doesn’t sound pleasant, or polite. You put the radio back down and return to the couch, avoiding eye contact with the older man.

You glance at your watch. It’s right after 3PM, and the blizzard hasn’t let up. You’re going to be stuck here a while. You rest your head on the arm of the sofa, staring at the beamed ceiling, lost in reflexion. About how genuinely worried Joel seemed when you got hurt, how he jumped right in to take care of you. It makes you seethe. He tucked you in so you’d stay warm. He even changed your socks; the wet pair is drying by the fireplace. How dare he? You shift on the cushions, stiff, ill at ease. And Joel chooses that moment to break the silence. 

“What the hell was that back there?” He questions, his tone accusatory.

You tense up. The blame you’re putting on yourself is more than enough. He doesn’t need to twist the knife. You ignore him, your jaw clenching. 

“Hey. I’m talkin’ to ya,” he nags. 

It makes your blood boil, and you sit up to glare at him. “Won’t happen again,” you grumble.

“Yeah? You sure about that?” He continues, harsh. 

You take a deep breath. “Look, I-”

He interrupts you. “You don’t freeze up like that. Ever. You understand me?”

“Oh, wow. I had no idea!” You strike back, not missing a beat. “I don’t need a lecture from you, Miller,” You spit out. 

Joel lets out a chilling chuckle. “Oh, you’re welcome, by the way!” He barks, “You know. For keepin’ you alive an’ all.”

You spring to your feet, heat shooting to your head, exacerbating the migraine. “I didn’t ask for your fucking help,” you utter. 

Joel gets up too, towering over you, hands balled up into fists. “Right. Next time I'll just let you get infected. That what you want?” 

“I told you. There won’t be a next time!” You shout, holding yourself back from punching him in the gut, or kneeing him where it would hurt most, or pulling him down to the couch and pushing your lips to his neck and letting him- 

No. Nope. Not again, not here, not now. 

You desperately need some air. You move towards the front door, but Joel strides up to you and blocks the way, arms crossed. 

“You ain’t going anywhere,” he warns. 

“Let. Me. Out.” You command. Your head is so painful you think it might explode. 

Joel chuckles again. “You got a death wish or somethin’? Settle down, girl.” He talks down to you as if you were a child, smug, condescending; but that word makes your heart skip a beat. 

You try to make a pass for the handle, but he grabs your wrist and shoves it backwards effortlessly. You’re seeing red. So you opt for the next best thing; you spin around abruptly and storm off to the other side of the cabin, into the bathroom, slamming the door behind you. 

“Oh yeah. You do that. Real mature.” Joel yells out. 

You hear the creak of the floor under his steps and the rustling of fabric as he sits back down. You take your frustrations out on the shower curtain, displacing thousands of dust particles, before biting down on your hand to muffle a scream. When you’re done, you climb into the bathtub and curl up against the lime-scaled cold porcelain, forehead on your knees. The space is dark, stuffy, suffocating. You wonder how you’ll be able to make it through the storm without ripping Joel’s head off. Or doing something exactly opposed to it. How easily that man is able to just get to you is incomprehensible. Enraging. And, worst of all, despite how reluctant you are to admit it… 

Arousing.  

It must be the concussion dysregulating you completely. But the feeling grows, and you extend both legs to squeeze your thighs together, trying to release the pressure building between them. It’s no use. There’s only one thing that would satisfy it, and he’s right outside the door. Without your control, your right hand moves to the waistband of your jeans, undoes the button and goes down, past the elastic of your underwear…Fingers reach down to your entrance, already slick, and glide back up to the hardened nub, the touch sending a rush of pleasure through your body. You rub clumsy circles around, slow at first, mind filling with Joel, his calloused hand there instead of yours, stretching you out, whispering filthy things in your ear. You increase the speed, biting your lip to keep yourself from moaning, cheeks flushed, the pressure becoming almost unbearable. You push two fingers inside, curling them to stimulate that sensitive spot, bucking into your own palm to deepen the sensation. In a matter of seconds, you’re unravelling, free hand gripping the side of the tub, your walls clamping down on the other, come seeping in the fabric below. Your lips part and you can’t help a low squeal from escaping them. You immediately clap your left hand over your mouth, heart racing. 

Fuck. 

Did he hear?

You take a few deep breaths, trying to calm yourself. The reality of what you just did comes crashing down. It only worked to heighten your desire. And your anger. You button your pants back up and step out of the bathtub, wiping your hand on a scratchy towel you find in the linen closet along with a colony of spiders. 

You’ve been in here for too long. You have to go back out. It would raise suspicion if you didn’t. 

——————————

Joel is oblivious, too busy sulking over the events of the day as he tends to the fire, flames illuminating his face in a flickering glow. 

That was too fucking close. 

The image of you, frozen up under the runner, keeps snaking its way into his thoughts. It infuriates him. How you just gave up, like your life was worthless, like you deserved what came to you. And yet, the sentiment is so familiar it makes his chest ache in a burst of empathy. He can sense the burden in you, the intense trauma you endured. Most people have, in this unforgiving world, but you…There’s something more. It was the look in your eyes when you saw that infected, as if it reminded you of something so vivid it stole you away for an instant. He knows because it’s happened to him. It still does, sometimes, although less frequently. They’re these moments of sheer panic, where he’s choking, the world blurring around him. He has to count things he can see, or touch, or hear…He feels so miserably weak after it’s passed, as if he’s just a small, scared old man. Maybe it reveals his true nature. 

And he’s so angry at you for making him care. Because for some reason, he does. Ever since that night at the tavern. Maybe even before. How scared he got when he thought you might be done for is direct proof of it. 

He can’t afford to have another person to protect. 

A quiet cough brings him back to the present. He peers over his shoulder. You’re standing behind him, seemingly troubled by something; you fiddle with the hem of your sweater, gaze glued to the ground. 

He turns back to the hearth, sighing, and forces out an irritated “You good?” The thing is, he actually is concerned with the answer. 

“Fine.” You reply, your tone not an ounce more affable than his. 

That is as far as the conversation goes. Joel eventually gets tired of rotating the same log with the fire poker, pretending the action is crucial to keep the flames alive. He goes back to the armchair, glancing at you. You’ve reclined on the couch, feet propped up on the coffee table, mindlessly chewing on a piece of dried meat. He decides to imitate you, because he needs something to do with his hands. So he digs in his bag for the sandwich he’d packed; it’s mushed, tasteless. You both eat in thick, loaded silence. 

The sunlight is starting to decline, and the storm rages on, casting the room in an eerie shadow, the cold seeping in through every tiny crack in the cabin’s foundation. Joel shivers despite himself, shoving both hands under his armpits in an attempt to preserve his body heat. 

A second later, you’re out of your seat. Joel watches as you climb up the spiral staircase that leads to the loft bedroom. You shuffle around the space, partially concealed by the railing, and come stomping back down, carrying a crumpled blanket. You hold it out to him at arm’s length. Joel cocks a brow; the sudden kind gesture leaves him completely confused. You jiggle the blanket under his nose, impatient. He decides to take it, and drapes it around his shoulders, the relief immediate. 

“Uh. Thanks,” he mumbles. 

You give a shrug in response, dismissive, wrapping yourself in the quilt and retreating to the sofa.  

What the hell? 

An hour ago, you were fiercely arguing with him. Now this. The flip-flopping is giving him whiplash. 

Time passes, excruciatingly slow, nor Joel or you daring to say another word. The sun fully sets; the darkness outside is opaque, as if the little cabin is drowning alone in an abyss. There’s no way around it, you’ll both have to spend the night here. Around half past 5PM, Joel can’t stew in the tension anymore, so he goes to check on Old Beardy and Willow, confined to the veranda at the back of the house. They’re cramped, but otherwise fine. Joel risks a short trip to the yard to fill an old, warped bucket with snow for the horses to drink. As he shines the beam of his flashlight around, he notes that the blizzard has weakened slightly. This mess might be over in the morning. Just a few hours. He can last until then. It’s not like he has any other choice. 

He feeds the animals with a pile of straw forgotten in a corner of the veranda, behind some gardening tools. At the start of the outbreak, he couldn’t help but imagine who inhabited the places he used as shelters, what their daily lives looked like, if they were still alive. Sometimes, he’d come across evidence of the contrary. It used to disturb him, he’d feel like an intruder, but he’d quickly grown desensitised. Cordyceps didn’t spare anyone. It made suffering the new normal. It’s useless to dwell on what was or wonder what could have been. So, he doesn’t pay more attention to the objects scattered around the space as Willow eats from his hand. 

Once he comes back inside the cabin, he finds you exploring the kitchenette that’s crammed underneath the loft. You’ve opened the cupboards, revealing stacks of chipped, dusty dishes. You’re going through a drawer, a few utensils clinking inside. You haven’t noticed Joel, too focused on your search for something of value. He observes quietly as you move on to the second drawer, when he decides to make his presence known. He clears his throat before speaking. 

“Don’t bother, I already checked while you were sleepin’.” 

His words only make you search harder, meticulously inspecting the contents of the drawer, bent over, your back turned to him.

Goddamn it. You’re exasperating. 

And yet, his eyes are drawn to a specific part of your anatomy, the curves made obvious by your position, your jeans hugging them so well he could just-

“Or do whatever the fuck you want,” he mutters, the hostility compensating for the sudden surge of lust. 

He plants himself in the armchair, once again, the noises of your continued investigation grating, setting his nerves on fire. After a few minutes, they stop. And you come walking back to the living area with a subtle, conceited smirk on your lips, and a bottle of very nice, before-the-apocalypse whisky clutched in your right hand. 

“Didn’t check well enough, Miller,” you say, failing to hide your satisfaction. 

“Where was it?” He asks, upset at himself for missing the item. 

“Back of the sink cabinet,” you answer smugly. “Quality stuff,” you add, reading the label. You’re absolutely right, but Joel isn’t going to recognise it. 

“Yeah, yeah. Don’t get cocky,” he grumbles. You don’t waste time and unseal the bottle before raising it to your mouth. 

“Don’t think that’s smart,” Joel cautions, making you pause mid-air. “Y’know. Concussion,” he continues, his tone more unpleasant than he anticipated. 

You don’t listen to his advice, staring at him tauntingly as you sip. He’s quickly learning that you thrive in defiance. And this audacity you possess, it’s…Attractive. Joel inexplicably likes that you’re provoking him. Your expression remains neutral as you swallow, even when Joel knows for a fact it must sting like hell. You offer the bottle to him. 

It’s been a long time since he’s had liquor that didn’t have an aftertaste of battery acid, and the sight makes him crave a good drink. It’d certainly make the night pass by faster. He knows it’s a terrible idea, considering where getting drunk with you led him last time, but it’s so damn tempting…

He takes the whisky from you. 

——————————

You’ve made a considerable dent in the liquor. It’s dulling the pain in your head, reducing it to a distant ache. You’re sitting cross-legged in front of the hearth, and Joel has joined you on the ground, close enough to pass the bottle back and forth without having to stand up. His back is resting on the bottom panel of the couch, legs spread out casually. The fire, as well as the whisky, is enveloping you in a calming warmth, eating away at your inhibitions; you’ve taken your sweater off as a result, stripped down to a tight thermal shirt. There’s silence again between you and Joel, but this time, it doesn’t make you want to claw out of your own skin. It’s strikingly comfortable. And you find yourself wanting the man to come closer, longing for contact, connection. You haven’t forgotten your little adventure in the bathroom; in fact, the liquor is feeding those feelings,  and they’ve risen to a nearly overwhelming level. 

You take another sip, and, during the exchange, Joel’s fingers graze yours, sending your heart in a frenzy and a burst of flustered heat to your face. You jerk your hand away. 

Idiot. 

You play it off by brushing it through your hair. Joel’s mouth twitches upwards before he drinks. 

“What?” You ask, defensive. 

“Nothin’.” Joel passes the bottle back to you with a faint air of amusement. You decide it’s a good time to stop, and you set it down on the floor. 

“Done already? I was expecting more from ya,” he teases. 

You hate how well it’s efficient in riling you up. “Like you said. Concussion,” you retort, pointing at the site of injury. 

“Hm. So now it's a good enough excuse,” he presses on, narrowing his eyes at you. 

“Yup,” you answer simply. 

“Really? That’s all you got?” His smirk is more assured now. 

You give a drawn-out sigh in response, studying the fire like it’s the most interesting thing in the world. 

“Damn. I was startin’ to like the snark,” he says. It seems like the liquor has taken a toll on the man’s reservations, too. 

“Don’t wanna waste my breath on you,” you reply, unable to resist the banter. 

Joel chuckles. “Ah. There she is.” 

You had forgotten how lovely Joel’s laugh is. How natural it feels to talk to him like this. Funny how booze seems to have that impact on the both of you. And, after a tortuous day of being at each other’s throats, you welcome the change of mood. “Did I just hear you say you like me?” You turn to gaze at him, an eyebrow raised. 

“Nah. Must be your concussion.” He answers, deadpan, unfazed. 

You can’t hold back a smile as you reply. “Hm. Sure, Miller.”

He pauses and appears to consider something, chewing on his bottom lip. “Uh. Joel,” he finally lets out, voice deeper, more serious. “Just- call me Joel.” 

You’re taken aback by that sudden request. 

His first name. It feels informal, intimate even, as though you’ve moved past the status of coworkers, into murky, foreign territory. You know you should refuse. You’ve dropped too many of your principles with this man already. 

“Alright. Joel.” You gulp. “Uh, same goes for you.”

He gives a short nod, and mirrors your sentence, only with your name instead.

It’s significant. This moment. It feels like the two of you have reached a point of no return. Like from here on out, things can’t just go back to the way they were. 

“Man, this isn’t how I was planning to spend the night,” you revert to humour to diffuse the returning tension. 

“Yeah?” Joel follows your lead. “Got somethin’ you’d rather be doin’?”

“Pretty much anything else,” you quip. “I was gonna work on this painting I’m late on.” You’re not sure why you’re opening up about that aspect of your life, but it’s the direction the whisky has picked. It’s futile enough. Still safe. 

“Oh. Right. Painting,” he says. “I knew you did that.”

He does?

“Didn’t you do one of Tommy and Maria?” He continues. “For their wedding?” 

The man truly is full of surprises. And to think you were convinced he was completely indifferent to you, at least before today. 

“Uh, yeah. Yeah, that was me,” you reply after a few seconds. 

“It’s good work. You managed to make Tommy look half-decent. That’s talent right there,” he jokes. 

“Yeah. Thanks. I tried.” You chuckle, and your stomach flutters at the compliment. You’d shoot those butterflies one by one with a tiny gun if you could. “What about you? What’d you have on the schedule?”

“Hm,” he answers, “not much either. Was gonna ask Ellie to join me for dinner. And get rejected again.” 

“I don’t blame her,” you comment, a teasing grin forming. “What teenager wants to hang out with a grumpy old guy?” 

“Hey. Rude.” Joel feigns offence. “I can be fun,” he adds. 

“Won’t believe it until I see it,” you push further. 

“Okay then. Just you wait.” He glances around the room for inspiration, until he is hit by a stroke of genius. 

“Truth or dare?”

You snort. “Are you twelve?”

“Truth or dare?” Joel repeats, voice raising in pitch. 

You shake your head in disbelief. 

Joel fucking Miller.  

“Fine. Truth,” you capitulate. 

Joel smirks. “Okay. Uh,” he concentrates, “What’s your favourite colour?”

You take a second to process the words that just came out of his mouth. And then burst out laughing. 

“Come on,” Joel protests, a grin brightening his eyes, deepening the wrinkles around them. “What’s wrong with that question?” 

It makes you double down in laughter. You wheeze, trying to catch your breath, and Joel joins in with a few low chuckles. The stoic mask has vanished. Why does he look so sweet? 

“That-that- was the best you could come up with?” you get out between deep inhales. 

Joel doesn’t back down. “You gonna answer it or what?” 

“Okay, okay. Uh-” 

You realise you haven’t thought about that tiny aspect of yourself in about two decades. Cordyceps has had that strange effect of destroying souls, personalities, the little things that used to make one human. By infecting some, and coercing others into survival. You’re not sure which fate is worse. 

“It’s yellow,” you finally reply. Yellow like the sunshine. That was your sister’s nickname. And you were Moonbeam. Opposites who completed each other. And now there’s only one left, lonely, broken.

Joel nods. “Fitting.”

“Hm?”

“Your tattoo.” He gestures at your exposed collarbone, where a sun made up of a multitude of ink dots is etched into your skin. Joel is scarily on point; that was for her, too. 

“Yeah.” You don’t linger on the topic. “Your turn. Truth or dare?”

“Dare,” Joel replies instantly. 

You’re not prepared. “Uh- I dare you to-” Your mind is sluggish, moving in slow-motion as you try to come up with something. “I dare you to sit next to me.” It comes out without your control. 

Shit. 

“Easy,” Joel brags. He pushes himself off the ground with a grunt and takes five steps before settling back down so close that your legs are touching. He doesn’t acknowledge it, eyes on the fire ahead, and neither do you. But it sends a chill up your spine and your thoughts to a dangerous place. You determine you’ve taken a long enough break from the whisky and take a swig of the liquid courage. Joel does too. 

“Your turn,” he reminds you. 

“Truth.” You still have enough wits left to be worried of what he’d make you do as a dare. 

“Takin’ the coward’s way out?” He teases. 

You drink again, ignoring the remark. 

“Alright. Uh, tell me about- your first time,” he says, glancing over at you with a sly smile. 

That’s a huge jump from the innocence of his first question. You shoot him an unimpressed look. “You’re gonna have to be more precise.”

“You know exactly what I mean. Now start talkin’,” he playfully orders. 

You sigh. “I was seventeen. With a friend I had in the QZ. Nothing special to it.” Your teenage years aren’t a period you like to reminisce about; you had to grow up much too fast. 

Joel stays quiet for a moment, and bumps your knee with his, in a movement that could be passed as accidental, or as an attempt at comfort. You’re not certain which is the truth. “D’you love him?” He asks, his tone genuine, devoid of mockery. 

“Her,” you correct. “And…I don’t know. It was years ago. Doesn’t matter.” It’s a lie. You remember it like it was yesterday. And you did.

Joel’s expression is one of surprise, and embarrassment. He turns a shade of red deeper than he was the second before, the temperature having nothing to do with it. “Oh. Uh. I- Sorry, uh, didn’t mean to assume- That’s- Good for you- I-” 

You’re very entertained by his reaction. People usually fall into one of two categories when you tell them; awkward ally or plain bigot. You’re glad it’s the first one. You cut him off before he digs the hole deeper. “It’s fine. Don’t beat yourself up. Your turn.” 

He seems rather grateful for the change of subject. “Uh. Right. Truth,” he replies, regaining his composure. 

You give him a taste of his own medicine. “Same question.” 

Joel is unbothered, and tells the story nonchalantly. “Okay. It was my date at senior prom. Back of my car in the school parking lot.”

It makes you laugh. “Wow. How very original. I gotta know what kinda car it was.” 

“My dad’s busted old Wrangler. I put that car through a lot of shit.” he replies, chuckling. 

“I could have guessed that.” 

For a second, you and Joel look at each other, smiling. He almost appears timid. And for a second, the horrors of the world retreat into the shadows that birthed them. For a second, everything is alright. You could stay here forever. 

——————————

Joel could, too. He wishes time could stop here. Because he’s confident that the night will inevitably end in something he’ll regret. No way around it. It’s taking an enormous effort already to keep himself from reaching over and closing the distance between your lips and his. The booze isn’t helping. You’re not either, with that radiant smile that’s melting his hard shell little by little, and your eyes that keep wandering around his face, his chest, and lower too, though you try to be discreet. He’s doing the same, and he’s certain you’re aware of it. Now, it’s a matter of who will succumb to the temptation first. 

You speak up again. “One last thing, Joel. Did you get the girl?” The question is lighthearted, but the memories it brings back certainly aren’t. 

He sighs. “Yeah. I did.” Sarah’s mother. They’d been high school sweethearts. Young. Dumb. A tale as old as time. “Got married. Had a kid. The whole nine yards. Then she wasn’t ready to be a parent. And, well-” He trails off, the words slipping out, motivated by the liquor. He’d never have confessed such a thing in a different context. Especially not to you. And just like that, he’s ruined the mood. 

Your eyebrows shoot up in shock, before your expression softens, as you realise what must have happened to said child. Pity? Compassion? Joel can’t be sure. “Oh. Uhm. I-I’m sorry. I didn’t know-” 

“‘S’okay. It’s, uh, it’s been a while. And I got Ellie now,” he reassures, slurring the words slightly. 

“What-what was their name?” you ask, voice barely above a whisper. 

“Sarah,” he answers after a pause. He’s only recently started being able to talk about her out loud without breaking down. He doesn’t know if that still applies when he’s inebriated. And he’s not willing to test it out. He drowns the sentiment in more whisky, before giving you the bottle. 

“Uhm. That’s pretty.” You take a swig and hesitate. “I, uh, I- know what it’s like. To- to lose someone like that,” you say, softly. The pain the words cause you as they escape is evident. Joel believes you.

And then something happens. Your right hand leaves your lap, moves to the side and comes to rest on his. 

His gaze travels from your hand, up to your face. It’s full of doubt, eyes wide, as though you’ve just made a horrible mistake. 

It’s all it takes for the floodgates to open. 

——————————

Joel grabs your forearm and pulls you into his lap. His mouth collapses on yours. You don’t protest, accepting the kiss immediately, gripping his shoulders to steady yourself, knees on both sides of his thighs. 

A rugged hand goes to the small of your back, pressing your chest to his, while the other slides up to the back of your head, carefully tilting it to deepen the kiss. Tongues collide, hungry, eager. He sucks on yours, stifling a moan.  

You’ve been pent up so long you’re soaking already. He breaks away from the kiss to trail his lips across your jaw, before going down your neck, biting and swirling his tongue on your pulse point, not mindful of the mark he’s undoubtedly going to leave. He earns a gasp, your fingers interlocking with his hair, holding him in place. You grind against his growing bulge to try and alleviate the fervent pressure rising at your core. He thrusts his hips up to meet yours, the friction sending sparks of electricity to your hazy mind. A hand wanders to your breast, fingers groping the soft flesh, flicking the nipple raised through your shirt. But you need more. Need him inside of you. Now.

And you tell him so, voice quivering with desire. “Please,” you add in a whimper.

It isn’t long before your clothes are ripped off, his lips refusing to break apart from yours for more than a few seconds. He lays you down right there on the floor, bare, trembling, aching for his touch. He sits back on his heels and admires you for a moment, eyes darkened, intense, reflecting the flames as if they are blazing behind his pupils. You watch, mesmerised, as he undresses in the dim, dancing light of the fire, casting him in an aura that’s almost ominous.  He stands up to take off his underwear, cock springing free and hitting his lower stomach.

The sight makes your mouth water. God, he’s big.

He climbs on top of you, your legs encircling his torso, granting him access to your entrance. And he pushes into you. Hard. You’re so wet his cock slides in without resistance, filling you completely, nearly hitting your cervix, the jab of pain delicious. The act isn’t kind, or tender; and it’s exactly what you want. For him to use you, to ruin you. And he does. He fucks you senseless, each stroke bringing you closer to oblivion, to forgetting who you are. The sounds he’s letting out are outright sinful, grunts laced with dirty sentences that could make you finish on the spot. But you’re holding on. Until he lifts you up by the waist, angling himself to hit that bundle of nerves over and over again, making you cry out in ecstasy, clawing at his back. You’re almost there, your walls pulsate around him, driving him deeper inside. 

“Think you should come for me, darlin’,” he hums into your ear, nibbling on the lobe. 

You obey. 

The orgasm ripples with such force it blinds you. You can’t even scream. You’re gone. Not a person anymore, but a being of pure pleasure. Joel coaxes you through it with a few more thrusts, erratic, uneven, as he reaches his own release. He pulls out of you at the last second, painting your belly with spurts of the thick, warm substance. Your entire body spasms before going limp. 

All the fight has been drained out of you. You’re reduced to a panting, throbbing mess on the floor, arousal pooling out of you, coating your inner thighs. 

“Did so good for me,” Joel praises, hands cupping your face, left thumb rubbing circles on your cheek. “So fuckin’ good,” he repeats.

You stay still, eyes closed, brain shutting down your functions one by one. As you’re about to drift off, you feel strong arms carrying you to the loft, carefully placing you on the bed, cleaning you off with a soft cloth. He climbs in and embraces you, limbs tangled with yours, and you nuzzle your head in the crook of his neck. His fingers gently brush the hair from your face to plant a kiss on your forehead. 

“Sleep tight, darlin’,” he whispers. 

It’s so vulnerable it makes your heart ache. 

Because you know this’ll all be gone tomorrow, along with the alcohol evaporating from your system. 

——————————

You’re right.

The sky is clear by the next morning, harsh sunlight brutally waking you. You’re alone in the bed, shivering, sore, his scent all over your skin. You get dressed, head pounding, filled with excruciating remorse. 

Joel is waiting for you by the front door. Glacial. Austere. Haunting. The person that you went to bed with a few hours ago has been torn to shreds. As though he never even existed. Maybe he was a product of your imagination.

And, once you’re outside, standing side by side on the horses, ready for the return trip, Joel utters a sentence that reverberates in your head all the way to Jackson, its echo deafening as you ride in silence.

“What we did. It meant nothing. Understand?”

You keep the tears in until you’re back home. 

To read on AO3

[lurkingshan]

Every time I see a Wedding Impossible GIFs on my dash I keep thinking that when it's over I'd love to read your take on what went wrong with this show. In a form of a very spiteful rant preferably.

(the show probably doesn't deserve too much of your time but I am just very VERY curious and had to share)

WELL! I was considering just letting this show go quietly into the night, but I will take this excuse to do a good rant instead.

*cracks knuckles*

You asked what went wrong with this show, but truly, nothing went right with it. From top to bottom, it's an utter waste of a good premise and a total destruction of the rare opportunity to get some positive queer rep into a het kdrama for a broader audience than will ever be reached by a ql. Let me list the most glaring problems:

They made Do Han a supporting character in his own narrative. Do Han, his sexuality, his desire and need to hide who he is to protect himself, and his desperate plan to avoid a life he doesn't want is the core of the story. Despite that, the story treats him like a minor supporting character with limited screen time and virtually no interiority or character development that made any sense.

The relationships were poorly written and the bonds were not believable. Ah Jeong was meant to be Do Han's ride or die bestie, but nothing in their scenes together or her behavior towards him suggested this was actually true. They seemed more like acquaintances who were friendly enough but had no real loyalty to each other, or even like she was a random actress he hired to play his wife. And Ji Han and Do Han had no brotherly bond or affection to speak of; their relationship consisted entirely of Ji Han throwing tantrums and demanding things for no reason other than he wants them, and Do Han trying to avoid being forced into them.

The leads were terrible people and the show did not realize that. Do Han's brother and best friend entered into a romance while she was engaged to Do Han. Ji Han thought it was a real relationship and did not seem to feel any guilt about pursuing his brother's lover. Ah Jeong was under a contract she agreed to as both his best friend and as a job to protect him and did not seem to care that she was breaking her commitment and threatening his safety. They gallivanted around flaunting their relationship in public with no regard for Do Han or his reputation whatsoever. And the show tried to convince me that Do Han was the selfish one in this scenario for the great sin of being gay and not just fucking off and getting out of the way of their relationship. Ji Han and Ah Jeong were never held accountable for what they did to him; instead we got to watch many scenes of Do Han being shamed and berated. Anyone who contributed to the writing and depiction of this can get fucked.

Every element of the story was poorly written and the resolutions were either unearned or so badly set up that they fell flat anyway. Do Han was being harassed and stalked and the story only barely cared about this. The family drama was boring and the grandpa character was a mess of contradictions who changed on a dime depending on the demands of the plot. There was no chemistry to speak of between the leads. The romance was utterly unbelievable and developed so poorly that it was impossible to care about whether these two assholes got together. The show used romcom tropes randomly to fill time even if they didn't fit. The final episode was stuffed with cameos by actors with personal connections to the cast and crew in the hopes it would distract us from what an unsatisfying conclusion it was, and the whole thing ended on a bizarre wedding gag that didn't work at all. The only good part was Do Han coming out on his own terms and leaving to go live his own life in New York, but the way they framed that was so gross I couldn't even enjoy it.

Most importantly, the messages of this show were deeply, unforgivably homophobic. This story went out of its way to tell us over and over again that Do Han is a selfish coward for being closeted, that his sexuality is a burden for his loved ones, that his family and friends are the real victims for having to deal with him, and that he was the one in the wrong for trying to protect himself. At no point was he allowed to get truly angry at the way his family and friends were treating him; he remained benevolent and shouldered the guilt and blame for everything, despite doing absolutely nothing except try to live an authentic life. At every turn the show depicted his siblings and grandfather and friend being hateful and/or careless with him, but then told us it was Do Han's fault for being who he is. They wanted us to blame the gay character and sympathize with a brother who resented him for not being the straight business leader he wanted him to be, and a friend who betrayed him without a second thought. The show argued passionately that the lies Do Han told to protect himself were the real problem, not the homophobia and hatred and rejection he faced every day of his life. It was an abysmal and offensive message and exactly the opposite of what a responsible piece of media would be trying to communicate.

I don't know if the people who made this show are actively malicious or just deeply incompetent, but they had no business telling a story involving a queer character if they were going to do it like this.

[jiminsass-istant]

WHO MV ANALYSIS: BRILLIANT STORY TELLING, QUEER CODING AND MORE

I have a lot to say. And yes i positively feel like a clown that this post comes right after jimin said "go ahead, misinterpret everything hehe". This might be a long one, so settle in. Also, if you are looking for this as some kind of validation for any ship, I'm afraid it might not serve that purpose (BUT keep reading!). This is simply an analysis of MV elements and cinematography in its purest form appreciating the brilliant work done by Lumpens and his assistant directors.

Part 1: Start of the story of a man in search of love

Let's start from the very beginning. Many of you have already figured out that Jimin is telling a story here (I'm not wrong yet Jimin, dammit). How do we know this? Look at that mini TV. Yes, this mini TV is actually our bookmark, our storyteller. In it's first appearance, it says "play" with a man walking at a normal pace, imitating jimin here, who is also walking.

Elements to notice here:-

The 'ONLY' signs on the road which mean these roads have only limited accessibility when it comes to directions. In my opinion, it symbolizes the rules that this world imposes on us. And here comes jimin whining/asking why he hasn't met 'her' even if he sees her at night? (imagines her) and thinks about her.

2. Also notice how it says "BLISS" on the neon sign but the world he's in is basically pre-tornado winds - there are papers flying, cars on fire, safety barrier tapes, even the mini TV is on fire. The flyer for the song says "who is!! Tornado of love" and basically serves as a warning that the 'tornado of love' is approaching soon.

3. Reference to 'Closer' (than this?) on the billboard with a man on it. Looks like a reference to a movie or song of 1995 which I haven't been able to find out yet. [help me]

Part 2: Searching gets more desperate

Moving on, we see Jimin entering the part of street with an old, dilapidated building in the background (so much to notice here!!)

Elements to look out:

Firstly, look at the mini TV which still says 'play' but the man in the TV is now running instead of walking. Just like how Jimin's steps are faster now, he's on his search for 'her', but he's getting desperate.

Notice the engineers in the background? Yes they are engineers- they have plans, measuring devices etc. And they are working to "renovate" the building. Interesting choice of scene right before a tornado... let's found out why-

Notice that on the right side to the entrance of this building, there's "B-1" written on the walls, but one could also read it at "13 1" At first glance, that's what it seemed like to me. I think people renovating a building whose name looks like a "13" is symbolism for jimin trying to heal/renovate/repair his heart/emotions/past traumas. It's about him still being in that phase where he is healing/ trying to heal himself by trying to find 'her' OR maybe he's trying to find 'her' when he is not even completely healed himself.

See the TV on the shopping cart on fire because it will be referenced later. Put a pin on it.

Part-3 Theatrics

With a flash of retro cable TV like lights, the perspective changes - as in now you are watching inside the mini TV. I'm talking about this part, when he changes direction and goes to the girl. So many interesting things happen, I'm giddy thinking about writing it.

Elements to notice:

I can't help but think of the words 'auto calibration ' that flashes right before Jimin does that cunty choreo with the female dancer. 'auto calibration ' literally means 'standardization' or 'correction' . I don't think people realise how queer coded it is. 'coded' being the keyword here. It could also mean 'standardized' as in the way we view idols as these perfect people with perfect dating lives.

3. The car is on fire- so yeah whatever is happening cannot be good. Everything is still chaotic and doesn't make it easy

2. The mini TV now shows various images with a heart '<3' symbolizing that he is engaging in some kind of relationship, but this is literally the biggest 'drama' ever. Because look at this scene- it's pure cinema..

"So many people to see" - people watching them date/engage while making a whole show out of it. There's also an ambulance nearby because obviously an idol's dating life shown to the public can leave people hurt and offended. As Jimin and the girl dance, they are literally in front of a local theatre called the 'OASIS'. My interpretation is that a celeb's dating life is literally 'theatrics' for the public. They are reduced to nothing but characters for entertainment, and worst part is that the public isn't happy either. No wonder, making it extremely difficult for Jimin to find true love. Special mention where the girl has him in a chokehold, quite literally an uncomfortable position, entangled with each other- or at least that's how the public views them.

3) In the same scene we see that the mini TV has tumbled down along with the shopping cart which was on fire, hence setting the car on fire too lol. Brilliant attention to detail.

Part-4 - where Jimin gets more desperate to find true love (in the past!)

As soon as the dancers leave, we see the huge billboard fall down and if i go with all the clues we have been getting, especially the travel show...it is WILD.

Because people are focusing on the possible OST called "Keep going", but DO YOU NOT REALISE HOW HUGE IT IS THAT JK IS REFERENCED IN A ROMANTIC SONG? dropping from the sky with 'who' written on it??!! "Who" without the questions or exclamations. I'll let you go delulu mode on that one. Moving on-

You must have noticed that to show a change in phase/scene, they have used multicolored flashes and change to 90s TV perspective. The same happens now after the billboard drops but the important thing to notice is the "rewind" on the screen now. Which basically means jimin going through different people is a thing of the past.

3. The crow/raven seen multiple times in the MV. Either way, a crow or raven is not something we see at night. They come out only at times of 'unnatural exceptions' like storms, earthquakes etc because they are not nocturnal creatures. While Jimin was trying to find love, there was definitely something happening which wasn't natural for him or was out of his comfort zone/he was not himself.

4. Another instance of queer coding I noticed was both men and women walking past him, similar to Like Crazy MV. It had a different symbolism in LC because he was trying to stay in the dream. But here people walking past him clearly means possible romantic partners. And he keeps stopping, keeps trying his luck with different people, almost always failing. OR- it could mean there are people of both genders walking past him but he never goes for the men in the past.

Part-5 - The tornado of love finally arrives

Now it says 'Play' on the screen meaning we are now in the present again. The tornado has built up, Jimin looks more confident, more smug as the tornado gains momentum behind him.

A flash of light, fireworks erupt as he sings his heart out. Even after the tornado is completely gone, the sparks and short circuits and destruction continues, meaning the 'tornado of love' arrived and certainly did a number on him.

Finally, we see him on a much calmer path. All cars lined up. He owns his life now. The situation is under control, the cars with lights on, ready to go.

I truly appreciate the storytelling in WHO MV. Lumpens Sir delivering as always. And I would love to know which things were Jimin's ideas but he wouldn't share that with us would he?

Let me know what you think and discuss in the comments if you want to.

[citizensun]

Queerness and the House of Usher (spoilers!)

See I just added these Thoughts to the tags in @quecksilvereyes 's post but now I have Feelings too

TFotHoU (or HoU, as I will refer to it here), as expected from a Mike Flannagan show, has a bunch of Queer Rep™ to talk about. HoU is, also, about remarkably evil people - amoral capitalists who'll step over anyone if it means they'll get something from it. And look! Some of them are queer! Kinky too!

That's bad queer representation... right?

The show isn't that clear when stablishing sexualities, but we see that at least three of the Usher kids - Napoleon, Camille and Victorine - have same sex SOs/assistants with curious job descriptions. Prospero's taste for orgies probably implies queerness too, but honestly I don't remember if he gets it going with any guys in the story. I honestly have no idea about Tamerlane's voyerism thingie and Frederick is the only one with a "traditional family" going on.

Unrelated, but: Leo is definitely cheating on his bf Julius. Completely dismissing about his worries for him too. And for his cat. That's objectively evil, clearly. Vic literally killed her fiancée Alessandra, though she didn't stuff her under the floorboard, which is an L when compared to Poe's original. Cam doesn't believe in true love. Perry blackmailed his sister in law. Mean. He's also got a surprisingly high kill count for the family's disappointment, but since unlike Roderick he only killed rich people, we stan. I don't belong in Kinky spaces so I haven't got a big take on Tammie, only that - well, she's completely dismissing of her husband and sees him as a prop, just like the sex worker she hires.

Huh.

See, the nature of a story called "the fall of X family" is that X family is going to be the main character. The title kinda implies that they're falling for a reason, ergo, they're despicable fucking people. And they're queer! They're very queer. Many flavors of gay. They're the main characters, and they're monsters, and they're gay.

No, that's not bad rep.

Queerness as a movement, a community and a theory is very focused on scaping a cisheteronormative society's binaries (ie man/woman, husband/wife, public/private) and creating living conditions to those who fall outside of these categories - mlms and wlws, the trans, the nbs, the aros and aces... we are all queer, strange and estranged from this weird and limited worldview. And so we create a community for ourselves. It's very focused on care and anti-stablishment. Since a cisheteronormative society tends to be very white, rich and western, it's also focuses on anti-racism, anti-capitalism, anti-imperialism. Y'all know that, this is Tumblr and we love leftist Discourse.

I also know many, many gay people irl who are not like that at all. Libertarians, anarcho-capitalists, terfs, completely apolitical people and the like. Sexuality at it's core is personal, not political, so there are gay people out there who are perfectly comfortable with their sexuality on an individual level but do not see the point of getting involved in the broader context. They're queer, but are they...?

Well—

Not to mention there's lots of asshole gays out there! Don't you have a shitty ex? Have you never been almost run over by a drunken butch who blew cigar smoke into your face? I have! Life experiences are just like that. Maybe you should touch more grass. You'll probably find a lucky gift from your neighbour's dog, who is an astrology-obsessed bisexual and also really hot but stopped making out with you at a party once she found out you're a pisces (the neighbour, not the dog).

(Granted, none of this is as bad as implanting an experimental heart contraption into the fiancée you just killed because she dared to have ethical principles and then being so consumed with grief you stab yourself in front you'd your dad but you know how it goes. We're not the 1%.)

My point is, queer people are people. We are complex. We fuck up, and sometimes there's still times to fix things and sometimes... there isn't. We're consumed by jealousy and regret and sometimes we're so locked into our own head we stop believing the rest of the world is real too. Just like any other people, because unfortunately, queerness isn't a sign of morality.

And even if queerness does mean community, kindness and acceptance, tell me... Where the hell would the Usher kids get those from? The people around them are not really peers – they're ass-istants, blowjob-giving apartments, orgy mates, heart surgery providers, hired fitness moneybags, perfect housewives. Even if the partners are all shown to care for the Ushers, there's still a distance, a power gap, that makes the relationships fundamentally wrong.

And the partners? Arguably they're the good queer rep in the show, but look – even when Julius and Alessandra are shown to be good people (or at least people with an ethical boundary), they're not the good gays, they're simply the good SO's to a family of psychos. Exactly like Bill and Morrie, who afawk are straight people.

Which leads us to HoU's parameter of morality - Auguste Dupin. He refuses to drink the Amontillado, symbol of all the Usher opulence over the years. He got screwed over by the Usher twins and by the Raven herself, but he refused to cave in (except for the informant part, admittedly). He's not a good gay guy; he is gay and he is a good man.

The fundamental difference between our show's main tragic yaoi couple isn't that Auggie is a happily out gay man (and therefore is good) while Roderick is a sad divorced hetero (and therefore is bad). Auggie is the richer man because he is a good man; he has a spouse and children and grandchildren he loves with all his heart. He has a family and a community and he has found a sort of happiness no money can buy. Roderick owns the world – but what does he really have? What do his children even have? How could they ever build communities for themselves if they were never in one? Their father made them compete for his love. He never nurtured their bonds, he just showered them with money and excess until it was too much for them to handle. Juno herself pointed out - they were never a family. The House of Usher was only that. A house. It is empty and soulless.

What is queerness without a community? How could the people who represent the relentless corporate normativity and cutthroat capitalism ever be good queer rep? How can they even be queer?

Hear me out: on the most individual, simple level, being queer is still about not fitting in. These kids are bastards. They are are PoC and women in a predominantly male and white dominated space. They're on top of the world, but they're still outsiders to their own House. How could they not be queer?

And yes, I know this discussion takes a different turn when it comes to representation in media, but it's not like Flannagan fell into a Hays Code-era flamboyant villain trope. Queerness is just there. Just like Victorine and August are both black people in (arguably) the opposite ends of the morality spectrum, there are queer characters of many kinds here. The story just happens to be about the fucked up ones.

HoU is a poignant critique of capitalism and a surprisingly funny adaptation of Poe. We'll judge it by that. It happens to be queer – more things should be.

[befuddledcinnamonroll]

Once again I have so many thoughts, but very limited time to express them, so will attempt to make my swirling brain come up with something coherent.

I am finding it interesting to see all the different reactions to Dangerous Romance this week. To be clear, I am the kind of person who rarely has expectations going into a show, and am much more a "meh, let's see where the journey takes us" kind of watcher. I'm also very much still in my "yay, queer content" phase, and if it means looking at Perth for an hour a week, I'm probably going to be happy. (Not that I'm never disappointed, do I think Big Dragon needed about 200% more BDSM? Yes, yes I do.)

I do totally respect when a show isn't working for some people. That said, I am completely fine with the pacing, because what I am seeing, is a fuck-ton of setup.

Sure, the bullying has stopped, but now we know Kang is capable of being very dark and cruel, especially when there is something making him feel powerless in his life. He also has a weakness around Sailom, and is still trying to exert control, just in a new way.

Yeah, Sailom only had to escort once before getting back to tutoring, but Name literally followed him to his place of work, AND confirmed for himself that Sailom will accept a job like that with very little pushback - meaning if he gets even more desperate, it won't take much to push him further. Name is not going to do nothing with that information.

And I get if people feel like Saifah and Sailom should be freaking out more about their situation, but I kind of feel like that's purposeful? Saifah is an ass. He acts like everything is no big deal, because his little brother is going to be the one busting his butt to save them. He plays the part of the benevolent loving older brother, he buys treats for Sailom, but if it's a choice between Sailom getting beaten or himself, he's fine if it's Sailom.

And I may really be getting in the clown car here, but...who gets an injury that puts them in a desperate situation right at the worst time, when Sailom loses his tutoring job? Who would be in the best position to tell Name where Sailom works, and that Sailom will be easy to convince to accept an offer?

And right now Sailom is still in his "I adore my older brother" phase. It's been just the two of them for so long. He doesn't act stressed in front of Saifah, because when he told Saifah he lost his tutoring job, Saifah's response was, "yeah, rich people suck, huh". He's learned to hide his feelings, because his brother is an ass who will not take them seriously, and his friends will immediately want to try to help him - and he doesn't want help he doesn't feel he's earned. So yeah, we're not seeing his mask slip much yet - but I think we will. He will hit his breaking point.

Ok, and this is where I need to talk about the bubble. Because, yeah, Kang was snapped out of his when he saw Sailom getting beaten. But now - he's just in another one. One where he has accepted his money can't buy Sailom, but where he believes his money can protect Sailom. And right now? Sailom is joining him in this bubble. Why wouldn't he? It feels warm and safe and there's a cute boy inside. They can play games and work by candlelight. (I mean, c'mon, Kang literally put the boy in a VR helmet).

But this bubble, like the first one, is going to burst. And it's going to be rough for both of them.